Tag: Crispin Underfelt

Sharing the Laughter

The amazing Hunt Emmerson cartoon that announced Our radio series in The Radio Times – long ago, before Time was born.

I try to write pretty much every day: it is my thing, it is what I do, but I cannot deny that I have always found my greatest joy in writing with other(s) – especially when they laughed at my contributions.  When they come up with a line that is better than your own, it simply spurs you on to come up with another yourself.  The laughter associated with continually topping one another becomes infectious and addictive.  I have reminisced on these pages before about the great joy of writing with my (almost) life-long buddy Chris (Crispin Underfelt) and laughing so much as we repeatedly ‘trumped’ one another’s jokes that we then had to take a few days apart to ‘get something down on paper’.  We worked seamlessly because we both knew our strengths: Chris was the ideas man, whilst I just twatted about with the words.  Together we came up with a thousand one-liners per hour.  I jotted down as many as I could remember and ‘worked them up’.  Sometimes Chris would fly off in another direction – anywhere from project B to Z – before project A was finished, other times he would doggedly stick to an idea long after I had given up hope.  There were times, of course, when Chris would serve up a flat ‘No’ to lines that I thought were great and, as the person who generally did the typing, I would sneak them back into the script only to have them vetoed again at the next read-through.  Similarly I would leave out lines I didn’t like, only to find that Chris’s own notes clearly showed that they were in.  It always worked for the best and I don’t recall us ever falling out.

I have a boxful of scripts from that time that I flick through now and again and they always make me smile.  Like all such things, it is impossible to revisit that time – we wrote a million sketches for the kind of shows that no longer exist – but that knowledge does not mar the joy of what we did then.  Through the radio show – which we were absolutely certain would be our big break – TV sketches and a sadly ill-fated musical using the songs of ‘Hello Cheeky’, we operated as a single being: he was up when I was down, he was full of certainty when I was full of doubt.  He always made me laugh and I always had a pen.

Chris is a natural performer and he began to drift in that direction as I plodded along writing a number of ‘close but no cigar’ sit-com pilots whilst continuing to contribute articles to any one of a number of humour magazines (all now gone – not my fault I swear) that would pay me for what I did.  I am never happier than when sitting at the computer banging away without a care in the world (or, more often than not, an idea in my head) but I always miss the thrill of showing Chris the labours of my week (will he/won’t he laugh?) listening to his jokes, marvelling at the scope of his ideas, shouting at one another until we are hoarse and sharing the laughter…

Now, in case you are wondering why this piece seems out of place and out of time then, yes, I will admit that I have written it in the hope that Mr Underfelt might read it and be spurred on to give you one or two recollections of his own – of our time writing together, of his early attempts at stand-up, and of his own theatre productions of ‘Bouncers’ and ‘Little Shop of Horrors’ , anything.  (There are, by way of explanation, links to numerous previous posts scattered throughout.) Maybe he’ll even tell you of our little trip to Hull to see a play called ‘Moose’ and an ill-advised stop to ask some young ladies on a street corner if they could tell us where to go.  They did…

Serendipity

It all started with a Second World War TV docu-drama in which a gaggle of soldiers (mostly female, I noted, dressed in the kind of uniform that would today almost certainly be sold by Ann Summers) pushed wooden ships and tanks around a map of Europe using what looked like croupiers rakes, when a sudden memory of Michael Bentine’s Potty Time flashed across my mind:add a soundtrack of silly voices and dozens of mini-explosions and you were there in all the sense and purpose of war.

Thoughts of Bentine, of course, brought me onto the great Milligan.  The two of them (together with Peter Sellers and Harry Secombe) co-created the seminal radio comedy The Goon Show, but sadly quarrelled in the 1950’s reportedly after Michael Bentine attempted to have Spike removed from the show due to his ‘erratic behaviour’.  Neither, it would appear, was able to forgive and according to Spike, they did not speak again until the day before Bentine’s death by which time, I fear, it was too late for either of them to rebuild burned bridges.  The genius Milligan continued to write and star in The Goon Show until some years later when, as it was concertedly trying to kill him, he moved into TV and books, where he did ok, all things considered.

My own connection to Mr Milligan is via a gossamer thread which, not unusually for me, also suspends the indomitable Crispin Underfelt.  We were writing a radio series together at the time and, young, green and fearless as we were, we wrote to Spike to ask if he would read what we had written.  Amazingly, he replied immediately saying that he would be happy to read a script and he would comment and advise where he could.  Overjoyed we parcelled up the single episode that he requested and, with a prayer to the Gods, sent it on its way.  Alas, when the MS arrived back a few days later, clearly unread, it was accompanied by a letter from Norma Farnes (Spike’s minder, agent, manager and later, biographer) stating that Spike did not read or comment on the work of other writers, end of.  We were upset at the time by the terseness of the response, but later came to realise that Spike was having one of his difficult times mentally and Ms Farnes was doing what she always did: keeping the lid on.

It was during one such ‘difficult time’ that Spike famously threw a heavy paperweight at his then co-writer, Eric Sykes, which missed its target, smashed through the office window and crashed down onto the thankfully empty pavement five stories below.  Sykes had been drafted in to help a then ailing Milligan with Goon Show scripts for series 5 and 6 and was, in fact, the sole writer on many episodes.  (Sykes commented that he always felt that with Spike, madness was only ever an arm’s length away.)  The paperweight incident was precipitated by a disagreement over a single word – neither of them could remember which – but anybody who has ever co-written anything with anyone will understand the tension only too well*.  

Unlike the poor, benighted Messrs Bentine and Milligan, Mr Sykes (as he sometimes allowed me to call him) did occasionally have the pleasure of my company.  Our first meeting was at the back door of my father-in-law’s pub, which was directly across the road from the theatre and a regular haunt of those performing there – largely long after what was then a legally enforced ‘closing time’.  When the pub was closed at night, the back yard was tar-black, unlit, and all-in-all not the place to be, so I opened the door with some trepidation in response to the insistent knocking, to be faced by a tall man in a black homburg hat and full-length black, astrakhan-collared coat.  All I could see was the glowing tip of a cigar, the size and intensity of a fallen sun.  ‘Is Bri’sy in?’ said the voice which I immediately recognised as not being that of Hattie Jacques, in a tone not unlike a five year-old asking a friend’s mum if he could come out to play.  I ushered him in.  Brian (my father-in-law) and Eric were golf pals, playing along with Jimmy Edwards who, my father-in-law swore, had a small trolley attached to his golf bag in which he carried around a fully-stocked array of his peri-round liquid ‘fortifications’.  Eric Sykes was the antithesis of erratic: always Sykes, always amusing and always at the very epicentre of any group of which he was part, despite being almost completely deaf.  I suppose that genius always has its price…

…And then I awoke mid-reminiscence, to find myself mid-Newsnight instead, with Kirsty Wark presenting stories from Ukraine and allowing me to witness for myself the kind of monstrous harm and destruction that can be released by one unhinged man, and I couldn’t help but wonder when the croupiers rakes might come out again…

*I don’t think, incidentally, that Mr Underfelt and I actually ever ‘fell out’ over a script.  We often had different ideas, which we were prepared to argue in favour of, but ultimately we always reached a settlement with which we were both happy, nary an angry word passed between us.  Mad ideas man and embittered old hack in perfect accord…

A couple of weeks ago I lamented that, other than John Junkin, I had no names to ‘drop’, when I suddenly remembered Eric.  It doesn’t matter that nobody who remains within their first half century of life will remember either of them.  I do…

N.B. I cannot recommend highly enough, for people of a certain age, Eric Sykes’ Autobiography ‘If I Don’t Write it, Somebody Else Will’ – even though he doesn’t mention Brian – and Norma Farnes’ (who, incidentally, was also Sykes’ manager) record of her thirty year relationship with Spike, ‘An Intimate Memoir’.  Although neither of them mention me…