The Analogue Kids #1 – Anybody’s Seat

“Excuse me, is this anybody’s seat?”
Harry hardly registered the question as he was asked it so often, but answered automatically nonetheless.
“Help yourself,” he said, barely raising his eyes from the book on his lap.  The chair scraped back from the table, but was not, as he had anticipated, carried away.  Instead a glass of wine appeared and a figure – little more than a shadow to his downcast vision – sat down.
“You don’t mind, do you?”
He did mind frankly, but he was courteous enough at least to mumble something that could just possibly be “Not at all,” with all the conviction of a Socialist Estate Agent.
“I’ve never seen you in here before,” the voice continued.  “But then again, it’s the first time I’ve ever been in here, so…”
Harry felt obliged to look up.  The interloper was female, around – he guessed – his own age and staring straight at him.  He could have felt disquieted – she didn’t look like a stalker, although you never can tell – but instead he was intrigued.  Why would anyone, least of all – on the face of it at least – a perfectly normal woman, choose to sit with him in what was, admittedly, a pretty full pub?
“Well, this is awkward isn’t it?” she said, the pause in conversation having reached Scandi Noir levels.  “Is this situation weird?  It is, isn’t it?  Oh dear, maybe I shouldn’t have sat here.  Should I go?”
“It’s fine,” Harry said, closing his book in an attempt to appear decisive.  “It’s just …  Look, when you’re sitting alone – as you may have noticed I was – people always come to ask you about the spare chair.  It’s no problem, they just take it and that’s where it ends.  Nobody ever just sits on it.”
“I know,” she said.  “Muriel.”  She held her hand out for him to shake.  A bemused smile flashed across his face as he took the hand and said “Harry, I’m Harry.”
“Oh God,” moaned Muriel, “I’ve no idea why I did that.  I mean, we’re not in a business meeting are we.  I just…  It’s busy in here tonight, isn’t it?”
“Quiz night,” said Harry
“Oh, do you do the quiz?”
“In a manner of speaking,” answered Harry.  “I write down the answers, but I don’t enter.  I’m on my own as you can see and people don’t take kindly to you doing well in a pub quiz, if you don’t have a team.”
“Maybe I could be your partner… In the quiz I mean… Obviously…”
“Why not?” he said, laying his book down on the table.
“What are you reading?”
Harry risked a brief glance at the book’s cover.  “A Study in Scarlet,” he said, painfully aware that the slightly tatty paperback was little more than a suit of armour for him.  A means to discourage unwanted conversation.
Muriel searched through her handbag.  “I carry this,” she said, placing an equally dog-eared copy of Cold Comfort Farm on the table in front of her.  “I mean, I love it and I’ve read it a thousand times, but in a pub, or a restaurant, on a bus, or in a hotel, I just open it and stare.  It is my breathing space.”
“I’ll go and get our names down for the quiz,” said Harry, rising to his feet.  “Would you?…” he nodded towards her now empty glass.
“Why not?” she answered.

Harry returned with a glass of wine, a pint of beer and the quiz sheet.  “I didn’t know what to put as a team name,” he said, “so I just put Muriel and Harry.”
Muriel smiled.  “I approve.  Do you normally do well?” she asked.  “You said that you write the answers down, even though you don’t enter.  Do you do well?”
“I do ok,” he answered.  “I don’t think I’ve ever been last.”
“Have you ever won?”
“From time to time,” he answered.
“Oh dear, I hope I’m not a bad omen.”
“It’s only a quiz,” he said.  “I’m like everybody else.  I know a lot of stuff, but I don’t know a whole lot more.  What are you like at music?”
“I like Soul,” she said, sipping the wine.
“Well that’s ok then, because I can’t stand it.  You’re one up on me already.”
“Sauvignon,” she said, smiling gratefully.  “I thought you might get me Chardonnay.”
“I’ve only just met you,” he said.  “I see no reason to upset you so soon.”
Muriel sipped her wine again.  “Why that book?” she asked.
“I like it,” he answered.  “I like the humour in it.  Film-makers, television people, they always miss that.  It’s just subtle enough for them not to get it.  Besides, I’ve read it so many times that I can answer questions as if I am reading it if anyone asks.  What about you and Stella Gibbons?  Somehow I’d have expected Jane Austen.”
Muriel grimaced.  “And we were getting along so well,” she said.  “If there is a literature round in this quiz, you will discover that I really don’t know my Austen from my Bronte, nor, if I’m honest, my Bronte from my Bronte.  I have, I am told, a particular sense of humour.  Cold Comfort Farm made me giggle as a schoolgirl and I have carried it with me ever since.  Most men, I have found, have never heard of it and so are very unlikely to embark on a conversation about it.”
“Would it disturb you if I did?”
“No,” she said.  “…But don’t.  I could have gone to the library for that.”
“Well, I’m beginning to get an idea of where we stand in this quiz: Soul music, tick, literary parody, tick, now how are you on history?”
“I’m of an age where I remember most of it: even life before mobile phones and home computers; two channels on the TV and nothing after The National Anthem at eleven o’clock.  I remember when teenagers shared their deepest hopes and fears with a diary… and that had a lock on it.”
Harry laughed.  “I guess we have to hope there’s no ‘Social Media’ round as well then.  Maybe we should call ourselves The Analogue Kids next time,” he said.
Muriel raised an eyebrow.  “Next time?”  Harry could feel his face reddening.  “Next time would be good,” she continued.  “Perhaps you could save me a seat…

‘The Analog Kid’ is a 1982 song by Rush which, according to t’internet ‘captures the restless longing of youth, the pull of teenage freedom, and the bittersweet transition from a simple childhood into the complex adult world’.  It also, I think, captures the spirit of people of ‘our age’ battling to get to grips with a new world.  


The Beginner’s A-Z of D.I.Y Subversion (Blindfold to Burglary)

BLINDFOLD                If you have ever played Pin the Tail on the Donkey, you will know that it is practically impossible to properly blindfold anybody, especially if they do not want to be blindfolded.  Placing a bag¹ over the victim’s head is generally more successful and easier to do.  If you must go for a blindfold avoid handkerchiefs, which are never big enough; silk scarves, which are never opaque enough, and pink fluffy elasticated eye-masks, which, in my opinion, are never tight enough.

1. It is generally worth investing a few pence on a cloth ‘Bag for Life’ rather than a supermarket plastic carrier, as, not only are they more environmentally friendly, they have less of a tendency to leave your abductee dead.

BLOOD                       It is my firm opinion that blood should be neither seen nor heard.  Spilling blood is never good.  If you feel the need to prove your commitment to the cause with the acquisition of a physical injury suffered in the pursuit of your principles, try to develop a blister or bloodless abrasion.  Pain is one thing, we all know the discomfort a paper-cut can cause, but bleeding to death is quite another.   Remember, blood on the external surfaces of the body is almost always a bad sign.

BOMB                         Explosive projectile.  Explosives, effective as they are, are expensive, difficult to obtain and apt to blow bits off the unwary – so why not avoid them altogether and pop an empty crisp packet instead?

BOURGEOIS                A person whose political, economic, and social opinions are believed to be determined mainly by concern for property values and conventional respectability.  The Bourgeoisie are held in contempt both by those who have no property and therefore no interest in its value, and also by those who determine just what exactly amounts to ‘conventional respectability’.  Heads you lose, tails you lose. This dichotomy was experienced most acutely during the French Revolution when the Bourgeoisie were reviled by both factions of the Gallic Class War.  To be honest, I don’t think they lost too much sleep over it.  ‘Here’s your options –  the nobility are going to treat you with contempt because of your petty concerns over conventional respectabilities, whilst the proletariat are going to hold you down on a block of wood so that Monsieur Guillotine’s latest invention¹ can permanently separate you from the full range of bodily functions – now, who are you going to support?’  The Bourgeois are currently known as The Conservative Party and, strangely, have a deep affection for over-priced French Red and pieds-a-terre² in Normandy.

1. Monsieur Guillotine did not actually invent, but rather improved, this instrument of capital punishment – formerly known as the Scottish Maiden (Demoiselle Ecossaise).  The guillotine replaced the previous method of execution in France, known as the Breaking Wheel (Rupture de la Roué) which was so barbaric that not even the French could stand it – and remember, this is the nation that dismembers frogs.

2. Literally ‘foot on the ground’ – because the kind of hovel that the French generally sell to the English will have mud floors, three walls and a roof that is fine as long as it doesn’t rain.

BREAK                       What you do to legs, arms etc.

BRICK                        What you do it with.

BUBO                         Pus-emitting swelling in groin or armpit.  See Policeman’s Boot (below).

BURGLARY                 The act of entering a building or other premises with the intent to commit theft.  Whilst this is not strictly an ethical act, it can be a highly efficient, if risky, method of raising funds, but then again, so can spending the day in a bath-full of baked beans.  As with all such endeavours, the primary objective is ‘don’t get caught’.  If you feel that this objective is not achievable, it is always advisable to pursue the secondary objective ‘persuade somebody else to do it for you’.

A TYPICAL D.I.Y BURGLARY – Walking along a quiet street, you notice an open window on the secluded side of a luxury, detached house.  You scale the fence and climb in through the window, using the wheelie bin as a step.  As you push your way through the open casement, the wheelie bin scoots away and demolishes the garden gate depositing week-old Indian take-away all over the drive way.  Stepping from the window ledge, you catch one foot in the sink and the other in a giant potted hibiscus, which crashes to the floor followed by a) the better half of a twelve-piece dinner service and b) you.  You attempt to clamber to your feet but find yourself staring into the glowering, yellow eyes of a giant, snarling bullmastiff.  You exit the window in one bound, smashing your shin painfully against the kitchen tap and your forehead against the window lintel.  Once outside you try to flee the scene, but slip on an extremely viscous Tarka Dahl and fall to the ground where you are immediately accosted by thirteen spitting feral cats and a postman with something brown and odorous on his shoe.

EXERCISE – Grow a beard:

  • Do not shave for at least six weeks.
  • Do you have a beard? (If the answer is ‘No’, you are a) a woman, b) a child, c) looking in the wrong place)
  • If the answer is ‘Yes’, eat a soft-boiled egg.
  • Try to look in the mirror without being repulsed by the aftermath.
  • Shave it off.

© Colin McQueen 2026

A Norwegian Blue* Kidney

Photo by Daniel Gomez on Pexels.com

Every day, they say, is a school day and this week has been a particularly educational one for me.  At the beginning of the week, for instance, I learned of the difference between Urology and Nephrology.  It is a tiny one, but nevertheless, there is little overlap between the two schools of medicine and furthermore, no information is shared between them.  I also discovered that a kidney, having spent eight months being considered, measured and assessed has more than enough time on its hands in which to completely conk out.  Maybe, like Schrodinger’s cat, it could have remained in a happily indeterminate state if nobody had looked into it, but the box got opened.  I have discovered that I no longer have one fully-functional kidney taking the strain for its temporarily ailing twin, because that, to all intents and purposes, has popped its clogs.  It is an ex-kidney. 

Never mind, it is not the end of the world and I am assured that I only need one of them – although why, in that case, nature’s default model presents me with two I am uncertain – and the other one appears fine, providing, of course, that it does not find its own way to fall between the diagnostic cracks over the next few years.  I have learned that whilst a kidney function of 90+ is acceptable for most people, the doctors are happy with 45 for the mono-kidneyed amongst us, so – on a per-kidney rating – I am bang on track.  Although the consultant is at pains to point out that I am not, in fact, down to half the expected number of renal organs, I am merely carrying a non-functional member of the fraternity around with me much like the parents of a psychology student or a three year-old with a handkerchief.  She is also at pains to inform me that everything she has told me might just prove to be factually incorrect once the urological Ying to her nephrological Yang has had the opportunity to appraise the scan images that she, as yet, has not been privy to.  But she doesn’t think so…

I need, apparently, to eat well, to drink healthily, to exercise and to lose a little weight.  All of these, I am told, should reduce the hypertension that has been having a playtime in my arteries for the past eight months of uncertainty.  My blood pressure will, I am sure, fall like a stone with the knowledge that I am still unsure of anything except the likelihood that things are now somewhat less repairable than originally anticipated.  Probably…  I have no certainties and in that, I suppose, I am in exactly the same position as everybody else.

Accepting what you have got is not difficult, it is essential if you don’t want to drive yourself mad.  One way or another, things are definitely not bleak: they’re ok, I’m ok.  I feel well and there is nothing I cannot do (which is amazing because there was so much that I couldn’t do last week – swim without looking like a drowning dog; run without looking like my final day has dawned; bend down and get back up without audibly grunting).  My diet is good, I’m relatively healthy (once I’ve taken the pills) and I’m fit.  There were other, far more concerning options, so I am, all in all, in a good place.

I know that I tend to over-think things, which is certainly not the healthiest of habits, although I do try to keep my concerns to myself by and large.  I do talk to my wife of course who tells me ‘you over-think things’ so that’s ok and I am fully aware that most people have more than enough problems of their own without having to listen to mine. 

Which leads me to the final thing that I have learned about myself recently.  I have discovered that I am far more British than I could possibly have imagined.  I have spent the last couple of days consciously trying to make light of the situation because I am aware that worrying about such things achieves nothing.  Finding absurdity is what I do best.  Physically, I am visibly well and although my fitness tracker (which appears to have been programmed by my ex-headmaster) continues to tell me that I must try harder, I am actually far fitter than thirty year-old me ever assumed I would be at this age.  To  moan about this set-back would seem incredibly disingenuous.  Outwardly, the biggest reaction I have allowed myself to date has been a proto-Gallic shrug; the kind of thing a Parisian does when his morning coffee is not quite up to scratch: c’est la vie and all that.  I’ve got football to play tomorrow, grandkids to mind over the summer holidays and a drawer-full of chocolate to resist.  Most of the pending D.I.Y jobs have been put on hold over until the weather starts to cool, but they are waiting for me.  (Boy are they waiting for me!)  I will try to be good with both food and drink (three litres of water a day I am told which, given the size of my prostate1 in relation to that of my bladder, may prove a very interesting challenge – but I’m always up for those) and should I fail I will blame any ill-effects on the non-operative nephro-bean – it might as well serve some purpose…

*“This parrot is no more.  It has ceased to be.  It’s expired and gone to meet its maker.  This is a late parrot.  It’s a stiff.  Bereft of life it rests in peace…”  Monty Python’s Flying Circus – The Norwegian Blue Parrot.

1In a similar vein, I have just read through this post (Prostate) from way back in 2018.  Time passes, but it would seem that the more things change, the more they stay the same…

The Beginner’s A-Z of D.I.Y. Subversion (Blackmail)

BLACKMAIL       Money extorted by threat; hush money.  A simple and relatively inexpensive method of subversion, requiring the minimum of equipment:

  1. A smart phone with camera and voice recorder or, at a push, a camera and a voice recorder.
  2. An insight into the daily routines and habits of a notable public figure who is likely to do something disgusting enough to make him vulnerable.
  3. A large thermos flask and a Tupperware box for your sandwiches.

Blackmail is definitely not the kind of thing that you can go rushing into willy-nilly.  Planning must be thorough, meticulous and written down in really big capital letters to avoid any confusion.

Take great care when identifying your victim:

  1. He/she must be financially viable – there is little point in blackmailing someone who cannot pay.
  2. Ensure that they are doing something that they shouldn’t be doing – paragons of virtue are notoriously difficult to blackmail.
  3. Ensure that they care – you’ll get nowhere if your victim doesn’t give a toss what other people think about them.

In gathering the evidence you will require in order to execute your plot, you will almost certainly have to conceal yourself at some stage.  Take great care when selecting your hiding place: there are some wonderful places in which to secrete yourself, but they are of very little use to you if they are on the other side of town to the naughtiness. Try and find somewhere to hide in the room where the action is expected to take place.  Having decided on the wardrobe, ensure that the door can be opened from the inside – there is nothing worse than being trapped inside the closet whilst the action is taking place on the bed outside, particularly if the flash goes off.

Having leapt out of the wardrobe and captured an image of your victim(s) in flagrante, you must now face the biggest challenge of the whole operation – escape.  Plan, plan and triple plan your escape.  Have as many alternative escape routes arranged as possible and be aware that you will be attempting to negotiate them whilst lugging your out-of-shape frame along passages and alleyways at speeds far greater than furred-up arteries will appreciate, into a fire door that someone will, inevitably, have locked.

Should you manage to affect an escape, send a simple, straightforward blackmail note to your victim, informing him/her that you will turn the photographs over to husband/wife/police/avoid nausea, unless you receive £10,000 in used notes1 before the end of the week.  Don’t be dissuaded from proceeding if, in the excitement of catching them ‘at it’, you got the angle all wrong and cut their heads off in the finished photograph.  There is often incriminating evidence to be found on photos of knees and ankles.

Arrange somewhere very unusual for the money to be left; get somebody else to collect it in case things go wrong and always count the cash before you post the evidence.  Do not simply count bundles – remember they may be a ‘sandwich’ of real notes filled with carefully cut newspaper.  Always be suspicious if they are carried in a suitcase and the carrier removes one bundle and flicks the corners in front of your face before closing the lid and handing it over.  Also, beware of other people in the vicinity carrying identical cases, particularly if they sidle up to you whilst you are waiting for the bus.

A TYPICAL D.I.Y BLACKMAIL PLOT – You are probably the last person this side of Alpha Centauri to discover that your boss is having an affair with his secretary.  Through astute investigation and by asking the cleaner, you discover the location of their weekend assignations, and fight your way into the wardrobe where you wait for the main event.  You are woken by the 37 other subversives scattered around the room firing off their Yasichas in deafening unison.  You leap to your feet, partially garrotting yourself on a pair of braces and take a brilliant flash photograph of the contents of your nose, which the local chemist over-develops.  On leaving the hotel, you trip on the stairs and snap the shutter release from your Kodak.

  1. Personally I always prefer crisp, new ones, but the secondhand appears to be the preferred subversive note of choice.

© Colin McQueen 2026

Haphazardly Poetical – An Ode by Any Other Name

Photo by Trust “Tru” Katsande on Unsplash

I don’t write poems1 like I used to
The demands that they make are too great
The time that they take is excessive
I’ve got too much else on my plate2.

The hours that I’ve wasted on scansion
The days when I’m searching for rhyme,
A page of adjectival twaddle3
Is something – I think – of a crime.

A paragraph slips from my fingers
As swift as a cat from a hat
But a stanza could take me a fortnight
And a limerick longer than that4.

A pageful of prose is so easy
My jokes litter just as they please
But fitting a gag in a poem
In exactly the requisite number of syllables is often considerably more than anything that could be dismissed as ‘a bit of a squeeze’.

And all that I know about poets –
A knowledge I trawled from the net –
Informs me they’re all slightly barmy
So I’m already part of the set.

Though I’m not really wracked with depression
Nor the symptoms of some STD
I don’t steal the partners from others
Or breakfast with dope in my tea.

I don’t have to lighten my senses
To summon the scent of a rose,
To remember the lure of a fragrance
I don’t need some coke up my nose.

I don’t have the poetic5 outlook
I don’t have the anguish required –
My poor soul has dreaded exposure
Since the day that my body retired.

I can give you a verse about something
Or possibly two about nowt6
But an epic with angst and with meaning
Well that I most certainly doubt.

My pentameter’s never iambic
Unless I miss out a few words
Whilst my rhyming is less than proficient
And my structure just borders absurd7.

If ever I’ve wandered ‘round cloud-like
Then I’ve not put it down as a verse.
You’re nothing like a summer’s day
And to claim so would seem quite perverse.

If I should tell you a story in iambs
My intention is seldom to frown
Whatever the point I am making
It ends with its trousers pulled down.

And should I aspire to be Shelley
Composing an ode for a lark
I’d never aspire to his lofty heights
McGonagal8 would more be my mark.

Now poetry grates on my senses
Like a Doberman chewing a bone,
And I just keep on adding in verses –
I can’t leave the damn thing alone.

And I cut out my words and I twist them,
My syntax takes more than a hit
Whatever my written intentions
It ends up just sounding like… words9.

And as the whole thing gets longer
It’s easy to just lose the thread
Of why, when or where I was going
So I just try to end it instead.

To pull the whole thing together
To give it some meaning and flair
Is honestly far too demanding
And I just leave it up in the air…

Envoi
However twisted my scope is
Whatever the words that I bend
My problem with poetic tropes is
I never know just how to end…

The End.

Some notes for the scholar:

  1. For the purposes of this rhyme, the word ‘poem’ definitely has two syllables.
  2. A damnable lie – obviously – but they are allowed in poetry.
  3. “Adjectival Twaddle – The Life and Times of Colin McQueen” has a ring to it, don’t you think?
  4. I once decided to write a book of limericks.  I got through a few dozen but, my word, it’s hard work, as witnessed in my post ‘There was an old poet called Lear’ from 2019 – although with the benefit of time, the ones I managed to finish did make me chuckle when I revisited them.
  5. Po-e-tic.
  6. English colloquial meaning nothing as in ‘There’s nowt so queer as folk10
  7. Which reminded me of the post ‘An Appreciation of Poetry’ also from 2019.
  8. Revered by the genius Spike Milligan, William McGonagall is widely acknowledged as the worst poet of all time.  Check out his Wiki page here and read, if you possibly can, ‘The Tay Bridge Disaster’ to understand the true genius of genuinely dreadful poetry.
  9. With grateful thanks to Fankie Howerd’s Lurcio (Up Pompeii) and his poet master Nausius for helping me lose the rhyme.
  10. English colloquial meaning people – as well as music sung with a finger in the ear.

This flippin’ thing has been lying around on my desk for a thousand years and has been rewritten a million times,  The time has come to release it before it drives me nuts.  I don’t write poems like I used to – and I presume you can now see why…

The Beginner’s A-Z of D.I.Y Subversion (Bacterium to Bilbo)

BACTERIUM               Microscopic single-cell organism; a disease or germ.  The subversive’s brain.  Not to be confused with Bactrian, which is a camel with two humps on his back – similar to the shoulder/chip ratio of most subversives.

BALLISTA                   An ancient military engine for throwing stones or other missiles.  Now known as a child¹.  A ballista comprised a long wooden arm, tied back and weighted at one end before being released, hurling the missile from the other end over a considerable distance, causing a significant amount of discomfort to anyone unfortunate enough to be under it.  Considerable physical effort was required in pulling back and tying the wooden arm prior to its release.
A child is a soft, warm frenzy of snot and noise, generally smelling faintly of chocolate, which will happily throw anything you give it – as long as you ask it not to.

  1. Whilst most right-thinking people would deplore the deployment of children in the furtherment of subversive activity – it would have to be considered almost reckless to ignore the opportunity when it is there.  Subversively speaking, little measures up to the explosive effect of a strategically placed baby in a full nappy.

BANG                         A loud, sudden, explosive noise.  Result of a gunshot, an explosion or a teenager leaving the room. 

BARBARITY                Brutal or inhuman conduct; cruelty.  ‘Brutality, Inhumanity and Cruelty’ appear to have taken over from ‘Liberté, Égalité et Fraternité’ as the basic principles of revolution in the twenty-first century.  Unfortunately, nothing has taken over from the principle of slaughtering those who oppose the ‘revolution1’. 

  1. In this instance, ‘revolution’ means ‘more of the same – and none of it good’.

BASTARD                   A person born of unmarried parents; an illegitimate child; a vicious, despicable, or thoroughly disliked person.  Oh, come on, this is the twenty first century.  There is no place in our society for blind, ignorant prejudice of this kind.  Ok, he’s vicious and despicable – it doesn’t necessarily make him a bad person does it?  Goodness knows, if most of us disowned everyone we know who fits this description, we would have no friends left. 
If the word has any power as a term of abuse, then its significance must surely have been seriously eroded with the news that more children are now born out of wedlock1 than in it.  Perhaps, in the long term, it may become an accepted term of approval – maybe ‘legitimate’ will become an abusive term.  Think of it next time you whack your thumb with a hammer.

  1. Very similar to ‘arm-lock’, but with longer-lasting consequences.

BASTINADO               Beating with a stick, especially on the soles of the feet.  A method of torture that is reputed to cause excruciating pain whilst leaving no mark – a little like a James Blunt concert.

BATTER (1)                 To beat persistently or hard.  Violence and subversion are often assumed to walk hand in hand – it is not necessarily so.  Many subversives are deep thinkers; much more inclined towards cerebral rather than physical methods of sedition – especially if facing an opponent with a small vocabulary and a large stick.

BATTER (2)                 A mixture of flour, milk or water, eggs, etc., beaten together for use in cookery; to coat with batter.  This is what politicians are really for – although subsequent deep-frying may be a step too far.

BAYONET                   A dagger-like steel weapon that is attached to or at the muzzle of a gun and used for stabbing or slashing in hand-to-hand combat.  If you’ve any sense at all, you will forget this weapon, it is messy and unpleasant and, most importantly, generally used in circumstances where there is a 50/50 chance of being on the receiving end.  If you are invited somewhere and asked to take a bayonet, go with a light bulb.

BEARD                       Facial hair.  Generally speaking, subversives wear false beards as an occasional form of disguise – unless, of course, they normally wear a real beard, in which case they shave them off as a disguise.  Either course of action is legitimate – as long as you are not ginger.

BEAT                          Strike repeatedly.  A sort of all-encompassing bastinado, generally giving extreme pleasure to at least one of those involved.

BEG                            What subversives do when they’ve been caught.

BICYCLE                     Two wheeled vehicle propelled by the rider.  A cheap and efficient method of getaway, particularly downhill.

BILBO                         A long iron bar or bolt with sliding shackles and a lock, formerly attached to the ankles of prisoners.  Be honest, it’s not what you thought it was, is it?  A modern adaptation of the Bilbo is the Electronic tag, which, whilst not actually physically manacling the prisoner, does make it extraordinarily difficult for him to wear novelty socks.

© Colin McQueen 2026

Art for Art’s Sake

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When I first decided to retire I told anyone that would listen that it was my intention to take ‘take up art again’ as a hobby to fill my time.  Unfortunately this single naïve statement has proven to have more inaccuracies attached to it than any other thought that has ever before flitted across my poor benighted brain.  Not even Donald Trump in the midst of a fever dream could come up with such an easily disproven statement of fact.  For a start I have yet to find the time required to submerge myself in existing hobbies, let alone begin a new one.  I remember as a far younger man listening to silly old codgers bemoaning the fact that since they had retired they could not imagine how they previously found the time to go to work and now I am one of the daft old buggers myself.  I seem to spend more time ‘working’ than I ever did at work: I don’t get to lay in bed, to drink tea whilst watching daytime TV, or to wander around town driving scurrying workers up the wall by walking very slowly before stopping vacantly comatose just inside shop doorways.  If I don’t have something to do at my own house, then my services have generally been made available to someone else who needs something doing at their place of residence.  I feel like some kind of peripatetic caretaker: not to be trusted with plumbing or electrics, but handy with a hammer.

Then comes the problem of ‘returning’ to artistic endeavours when, in truth, it is something I have barely considered since my ‘A’ level days of fifty years ago.  Art has not really been ‘a hobby’ since the 1970’s.  As soon as it became ‘a subject’ at school it lost some of its appeal and if the art studio had not become such a refuge for me after I had been thrown out of other classes by tutors who had far more sense than to waste their time on a feckless wastrel, I very much doubt that I would have pursued any artistic endeavours beyond ‘O’ levels, cider and daydreaming.  I had an art teacher who tolerated my presence, my appreciation of colour and a plethora of grand ideas that I was not within a million miles of realising.  Thanks to him I scraped an ‘A’ level pass before packing my paints away into a box where they remain, hard and faded, today.  He was one of the first people to visit me in hospital after a teenage motorcycle accident and I regret having to disappoint him with my assurance that I was unlikely to die and that I would almost certainly return to his art classes.  It is greatly to his credit that he did not hand in his easel at that point.

Finally I have the issue of ineptitude: I have high artistic intentions, but a general inability to draw anything that is in any way recognisable unless I have labelled it.  My ‘still-life’ compositions have a tendency towards the torpid; landscapes appear to have been crudely coloured-in by a three year old chimp and all attempts at portraiture are accompanied by the implicit peril of litigation.

Yet I remain convinced that I will soon find the time to pursue my creative dreams.  I have purchased a small department store’s-worth of variously hued paints, pastels and pencil crayons; I have a drawer full of brushes, palette knives, sketch books and pencils; I have more charcoal than a pizza oven.  What I do not possess is the wherewithal to make a start.  I think about it constantly, I make plans and occasionally rudimentary sketches, I arrange my ‘stores’ by colour, by media, by sell-by date, but seldom open a box or unscrew a lid.  Most of my artistic dreams remain encased in cellophane.  I will unwrap them as soon as time allows…

N.B. for reasons that are too numerous and far too boring to go into, this post is a full day late. I know it makes absolutely no difference to anybody at all, but I apologise nonetheless…

The Beginner’s A-Z of D.I.Y. Subversion (Accused to Assassinate)

ACCUSED                   Person charged with crime or offence.  Try not to get accused of too much.  Being hounded by MI5 is all very well for a little while, but it soon becomes exceedingly tiresome.  Far better to be an accuser and accuse MI5 of hounding you, even if it’s not true – which, of course, it is not.

ACQUIESCE                To comply; to admit without interrogation.  Acquiescence is not encouraged in subversive circles unless, of course, it saves a lot trouble.  It can certainly spare you an enormous amount of pain during interrogation.  Admit everything: be remorseful; weep uncontrollably; call everybody sir.

AD NAUSEUM            Latin term to describe anything that has continued to the point of nausea.  E.g. Noel Edmonds.

ADZE                         A type of axe.  But a far more exclusive word.  Why be the 357th Mad Axe Murderer, when you can be the first Mad Adze Murderer?  Exclusivity is the key¹.  Make the spelling clear to the newspapers and make sure that the handle is fixed good and tight.  There’s nothing worse than your adze-head flying off, mid-assassination and ruining the wallpaper.

  1. Unless you’re trying to open a lock, in which case it’s probably a Yale.

AMBUSCADE              Ambush.  Conceal yourself in some bushes, wait for your victim to appear, leap out from your hiding-place yelling ‘This is an ambush – you’re surrounded’ and try not to look too embarrassed about the fact that you are alone. 

Surrounding a victim is not easy for the solo subversive.  You could try using mirrors, but beware – the reflections are indiscriminate.  A subversive friend of mine was reduced to a gibbering wreck when faced with the multifarious images of his victim staring out at him from the 17 strategically placed mirrors that he’d forgotten all about.

Be certain of your reasons for wanting to attempt an ambush.  Is kidnap the motive, or perhaps gang-violence?  Perhaps you are just not very good at making friends and this is the nearest you ever get to normal social interaction.  If the latter is true, you could always try to ambush a psychiatrist¹.  (N.B. You will find this impossible during the summer months, unless you live in the Caribbean.)

  1. If you do decide to detain a psychiatrist in this fashion, ensure that you have enough cash to pay his bill.  Psychiatrists seldom accept cheques – nobody trusts a loony.

AMMUNITION            The painful, nasty bit that fits inside the weapon: the bullet in the gun; the pebble in the catapult; the lie in the politician.

ANARCHY                  Lack of government within a state; lawlessness; confusion.  Creating a state of anarchy is the penultimate aim of all subversion, because, only when this is achieved, can one move onto the ultimate aim of all subversion e.g. installing a government that represents all your own views¹.

In going about your legitimate subversive activities, you may be able to take the opportunity to accuse the government (or, more likely, the Parish Council) of ‘allowing a state of anarchy to exist’, which is both a damning indictment and the ideal springboard for your efforts to create such a state.  As in all matters, the wise subversive must be wary of public opinion.  The general perception of anarchy is not terribly good; it invariably receives a very bad press.  There is little that the solo subversive can do about this – good P.R. men² are very expensive.  If you are caught out and accused of being an anarchist yourself, try this argument – ‘In a truly Utopian State there would be no laws, as there would be no law-breakers.  Hence, the truly Ideal State would be an anarchistic one.  Just imagine that.  You may say that I’m a dreamer, but I’m not the only one.  I hope someday you will join us and the world will live as one.’  If at all possible, attempt to end all public statements with a quote from John Lennon, but be prepared to paraphrase Salman Rushdie or Good Housekeeping in an emergency: it is unlikely to convince any but the terminally stupid, but might just work with a journalist.

  1. Better still; install a government that is you.
  2. Game of the Page – Spot The Oxymoron.

APATHY                    

ARSON                       Crime of intentionally setting fire to property or possessions.  Although burning things can be politically prudent, one has to accept that setting fire to the seat of our government is perhaps a little ambitious for the solo beginner.  Try burning unpaid bills.  Utility bills are a nice size in general and suitable for warming your hands by after you have been cut off.

ASSASSINATE             To kill by treacherous violence, especially for reward.  Don’t get involved in this sort of practice; it does not help your image.  If you feel that you really must rid yourself of a troublesome person, try sending them somewhere with a message and then changing all the locks before they return.  

HOMEWORK              Carefully plan an ambush: prepare maps, timetables, escape routes etc, and then think of 101 reasons why you should not go ahead with it.

© Colin McQueen 2026

Blue Sky Thinking (or Why Don’t You?)

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A beautiful, cloudless, blue-skied morning and my mind turns to walks on the beach, picnics in the park and a Mr Whippy ‘99’ whilst contemplating my navel.  For my wife the sunshine leads her down a quite different path; to jobs that can be better done while the sun shines, gardening and making the most of the fine weather so that, when the rain comes, we are in a position to resume the indoors DIY chores that it feels inappropriate to pursue during the better weather.  Our viewpoint could not be more widely divergent and although the path we follow is invariably that dictated by my wife, I do generally get a little ‘nod’ with the inclusion of a twenty minute mid-dusk ramble around the village at the end of the day, providing I can find my gloves.

The unwelcome intrusion of onerous tasks should, in my opinion, be reserved solely for rainy days.  Faced with the prospect of unwelcome toils all day I would almost certainly rather do it within the confines of being wet and miserable anyway.  At least I know where I stand and no-one will expect me to feign contentment.  There is little point in being thoroughly unhappy unless you are in a position to fully enjoy it.

Sunshine, for me, invites the avoidance of ‘must be dones’.  Life is very much overburdened with the mundane and any opportunity to break out of it must be embraced.  Sunshine is nature’s way of saying ‘Stop doing what you have to do, and do something you want to do instead.’  When I was much younger there was a TV series entitled ‘Why Don’t You?’ which was aimed, ironically, at getting the teenage viewer away from the TV and out into the real world.  It was originally called ‘Why Don’t You Just Switch Off Your Television Set and Do Something Less Boring Instead?’ – but retitled in the decade’s endless pursuit of ‘the snappy’ – and would in my opinion have been far better left alone: the original title told you everything you needed to know, even if you often discovered after tuning in that what they proposed was actually far more tedious than watching ‘Hector’s House’ on TV.  It is a sad fact of life that hardly anything is anywhere near as interesting as other people tell you it is.

Anyway, the memory of it led me to check the program out on Wiki and I discovered that it was presented by, amongst others, the ubiquitous Ant McPartlin* and Pauline Quirke who grew up alongside my entire generation through Pauline’s Quirkes, Shine on Harvey Moon and most famously the godawful Birds of a Feather.  ‘Why Don’t You?’ ran for 42 series in a number of quite different formats and, to the best of my knowledge, persuaded not a single youth to give up television watching in favour of cataloguing rare beetles or tie-dying their aged parent’s underwear.  What sticks in the brain is the fact that the presenters were pretty much our own age: kids they called us back then, pre-teens, teens, or young adults we would be today, but whatever we were called the big idea was that we were not being talked down to by an adult (or big kid as we would be called today).  It does, though, make me think that the various formats might be revisited in a way that might be more suited to today’s world: ‘Why Don’t You Just Put Down Your Smart Phone and Do Something Less Boring Instead?’  The obvious implication of course being that the alternative would, indeed be less boring and, I suppose, not something that could just be found on YouTube anyway and I think that perhaps I might have discovered the flaw in my own argument: there is virtually nothing that you can’t find on YouTube and anyway, as any millennial will tell you, watching somebody else doing stuff is actually exactly the same as doing it yourself: what’s the point of painting when you can (virtually) walk around a gallery?  What’s the point of allowing your bedroom to become a shit-hole when Tracey Emin has done it?  Maybe we would need to consider a complete rethink, something like ‘Why Don’t You Stop Pratting About Trying To Live A Life and Watch Somebody Else Doing Something Incredibly Boring Instead?’  I think back to the TV of my youth and how other programs would have to be re-imagined for the 21st century audience: perhaps ‘How?’ (which you can read about in this previous post from 2019) would now become ‘Why Bother?’; ‘Watch With Mother’ would be ‘Obey the Childminder.’  The modern demand for titles that ensure understanding of what is to follow would see ‘Here Comes the Double Deckers’ relabelled as ‘A Bunch of Kids Spend Their Days with A Middle Aged Man in a Double Decker Bus in the Corner of a Scrapyard’ – oh come on, somebody call the police!  ‘Blue Peter’ would be ‘Two Men, One Dog and a Woman Who Somehow Stops You from Ever Seeing Up Her Mini Skirt’; ‘Magpie’ would be ‘Blue Peter for Council Estate Kids; ‘The Kids from 47A’ would be ‘Look Out, Here Come the Teenage Hormones!’ and ‘Follyfoot’ as above.  ‘The Magic Roundabout’, ‘The Herbs’, ‘Mr Benn’, ‘Bagpuss’ and ‘Captain Pugwash’ would all be gathered together and re-titled ‘A Thinly Disguised, Nonsensical, Trippy Fantasy’ and none of them would be improved by it.

None of the above on a sunny day though.  Sunny days are not for TV, but definitely for 99’s – and wondering what they would have to be called today…

*Half of the Ant and Dec TV presenting team: think Gordon Ramsay without the cooking, the language, or the massively inflated ego.  I am aware that this post is packed with references that may well be familiar only to people born in this country (amongst whom I count myself) so I’ll try to clear a few things up: a Mr Whippy ‘99’ is a cone filled with whipped ice cream pierced with a single finger of Cadbury’s ‘Flake’ chocolate.  I don’t think anybody knows why it got the name.  I can do so little to describe to you any of the mentioned television series other than to say, if you can get ‘The Magic Roundabout’ – the English, Eric Thompson version – on YouTube, you will see exactly what I mean.  Once you’ve started, you will find something like 500 five minute episodes that you will not be able to resist.  You have been warned!

The Beginner’s A-Z of D.I.Y. Subversion (Abduction to Abuse)

ABDUCTION               The felonious carrying off a man’s daughter, wife, etc.  More often referred to by the media as kidnapping (see below) this is an excellent method of raising cash, but it is wise to be cautious:

  1. Before deciding on your victim, carry out some basic research: is anyone likely to want them back and, if they do, can they afford to pay the ransom?  There can be little worse than being stuck with someone whom you can’t return, who eats like a horse and insists upon attempting to ‘discern the rationale of your didactic approach’ every evening over the cocoa.
  2. When operating solo, always kidnap someone smaller than yourself.  If that is not possible, try to snatch his dog – as long as it is neither big and vicious nor small and yappy.
  3. Do not get over-ambitious.  Kidnapping the mayor might seem like a wonderful idea after thirteen glasses of your sister’s homemade rhubarb wine, but it is unlikely to prove practical, and it is doubtful that you will be able to carry out your scheme without eventual exposure, capture and humiliation.
  4. Do not attempt to kidnap someone of above average IQ¹.  There can be little more embarrassing than losing so many games of chess that you are forced to pay the ransom yourself before releasing the brainbox with money for train fare and a sandwich on the way home.

PLANNING AN ABDUCTION – Honestly, it is probably better not to.  The moment you start to get involved in meticulous planning, you will realise how fraught with problems the whole thing is and, like as not, will decide not to bother.  My best advice is to go into it as one of those spur-of-the-moment things.  Have a room set aside and fully prepared: buy a clean bucket, but other than that, take the whole thing as it comes and sooner or later, a suitable victim will walk into your life.

A TYPICAL D.I.Y ABDUCTION – Walking through Tesco’s car park one Friday afternoon, you spot a frail old man pushing a trolley piled high with luxury goods.  You make a split-second decision to abduct him as he starts to load up his car.  It is not until you get him home that he manages to convince you that neither the trolley nor the car was his own, and that he is himself an habitual thief.  Worse, he is old, small and frail – he is also poor and lonely.  You give him a hot meal and attempt to release him, but he refuses to go.

  1. This is an immutable law of subversion – if it were not so, Stephen Fry  would have been taken long, long ago.

ABSCESS                    A gathering of purulent matter.  All of the main political parties have an annual abscess, usually at the seaside.  A subversive is expected to study this sort of thing carefully in order to understand what the enemy¹  is up to.  If this doesn’t put you off, nothing will.  Actually, it is not difficult to discover what the political parties are planning, as they are rarely off the television during the abscess season and go to great lengths to tell you, ad nauseum, what they intend to do next².  If you belong to a subversive group, you will probably have an abscess of your very own – probably in the pub on a Friday night.

  1. As a subversive, you may decide to view all organised political parties as ‘the enemy’ – this is perfectly normal and, frankly, not terribly subversive.
  2. In truth, what they want you to believe they intend to do next.  What they actually intend to do next is exactly the same as every other party in power over the entire history of the world e.g. feather their own nests.

ABSCOND                  To hide oneself; to fly from justice.  Flying from justice will probably prove to be totally impractical for the do-it-yourselfer, but you can run away.  Ignore all the rubbish about attack being the best form of defence; run away and, if at all possible, hide.  Disguise has always offered additional scope for the prospective escapee and, in the case of a male disguising himself as a female, allows him to employ the supplementary safety net of tears if cornered.

ABUSE                        Bad language addressed to a person; insulting words.  In order to be effective, abuse must be witty and incisive.  Abuse is never effective.  If you wish to employ abuse as a subversive tool, try to obey three simple rules:

  1. Never waste wit on anyone you suspect may not be able to understand it.
  2. Never abuse anybody you feel may be likely to beat you up as a result.
  3. If you feel that you really must abuse somebody who may beat you up, do it very quietly and from a very great distance.

© Colin McQueen 2026