
I don’t write poems1 like I used to
The demands that they make are too great
The time that they take is excessive
I’ve got too much else on my plate2.
The hours that I’ve wasted on scansion
The days when I’m searching for rhyme,
A page of adjectival twaddle3
Is something – I think – of a crime.
A paragraph slips from my fingers
As swift as a cat from a hat
But a stanza could take me a fortnight
And a limerick longer than that4.
A pageful of prose is so easy
My jokes litter just as they please
But fitting a gag in a poem
In exactly the requisite number of syllables is often considerably more than anything that could be dismissed as ‘a bit of a squeeze’.
And all that I know about poets –
A knowledge I trawled from the net –
Informs me they’re all slightly barmy
So I’m already part of the set.
Though I’m not really wracked with depression
Nor the symptoms of some STD
I don’t steal the partners from others
Or breakfast with dope in my tea.
I don’t have to lighten my senses
To summon the scent of a rose,
To remember the lure of a fragrance
I don’t need some coke up my nose.
I don’t have the poetic5 outlook
I don’t have the anguish required –
My poor soul has dreaded exposure
Since the day that my body retired.
I can give you a verse about something
Or possibly two about nowt6
But an epic with angst and with meaning
Well that I most certainly doubt.
My pentameter’s never iambic
Unless I miss out a few words
Whilst my rhyming is less than proficient
And my structure just borders absurd7.
If ever I’ve wandered ‘round cloud-like
Then I’ve not put it down as a verse.
You’re nothing like a summer’s day
And to claim so would seem quite perverse.
If I should tell you a story in iambs
My intention is seldom to frown
Whatever the point I am making
It ends with its trousers pulled down.
And should I aspire to be Shelley
Composing an ode for a lark
I’d never aspire to his lofty heights
McGonagal8 would more be my mark.
Now poetry grates on my senses
Like a Doberman chewing a bone,
And I just keep on adding in verses –
I can’t leave the damn thing alone.
And I cut out my words and I twist them,
My syntax takes more than a hit
Whatever my written intentions
It ends up just sounding like… words9.
And as the whole thing gets longer
It’s easy to just lose the thread
Of why, when or where I was going
So I just try to end it instead.
To pull the whole thing together
To give it some meaning and flair
Is honestly far too demanding
And I just leave it up in the air…
Envoi
However twisted my scope is
Whatever the words that I bend
My problem with poetic tropes is
I never know just how to end…
The End.
Some notes for the scholar:
- For the purposes of this rhyme, the word ‘poem’ definitely has two syllables.
- A damnable lie – obviously – but they are allowed in poetry.
- “Adjectival Twaddle – The Life and Times of Colin McQueen” has a ring to it, don’t you think?
- I once decided to write a book of limericks. I got through a few dozen but, my word, it’s hard work, as witnessed in my post ‘There was an old poet called Lear’ from 2019 – although with the benefit of time, the ones I managed to finish did make me chuckle when I revisited them.
- Po-e-tic.
- English colloquial meaning nothing as in ‘There’s nowt so queer as folk10’
- Which reminded me of the post ‘An Appreciation of Poetry’ also from 2019.
- Revered by the genius Spike Milligan, William McGonagall is widely acknowledged as the worst poet of all time. Check out his Wiki page here and read, if you possibly can, ‘The Tay Bridge Disaster’ to understand the true genius of genuinely dreadful poetry.
- With grateful thanks to Fankie Howerd’s Lurcio (Up Pompeii) and his poet master Nausius for helping me lose the rhyme.
- English colloquial meaning people – as well as music sung with a finger in the ear.
This flippin’ thing has been lying around on my desk for a thousand years and has been rewritten a million times, The time has come to release it before it drives me nuts. I don’t write poems like I used to – and I presume you can now see why…




