
The Komóno of Easter Island walked slowly, his hands clasped behind his back clenched as tightly as his jaw, stunned into silence by the vision before him. A large drip of saliva formed on his lower lip and swayed gently in the tropical breeze. At his side his Clerk of Works fidgeted nervously in his goat skin. Something inside was moving, and it wasn’t him.
“What are you doing?” snapped the Komóno.
“I…” the Clerk caught a troublesome flea between his fingers and popped it quietly. “Got it!” he yelled triumphantly.
“I’m sure you have,” muttered the Komóno, dragging – with some difficulty – his attention away from his helpmate who was, even now, attempting to disengage the remnants of the parasite from his groin (protein was not to be wasted) and back towards the colossal Tuff statues lined along the coast.
“What are they for?” he enquired at last.
“For?” asked his Lieutenant.
“For,” said the Komóno. “What are they for?”
“Well they… They’re to welcome visitors to the island.”
The Komóno looked the nearest statue up and down, from its base to the top of its bulbous head. “They’re massive,” he said.
“So that they can be seen from the sea,” said his assistant. “Welcome the visitors in.”
“It wouldn’t surprise me if they can’t be seen from space,” whispered the Komóno.
“Space?” said the attendant. “What is…?”
“Never mind, it’s not important… Welcome visitors in, you say? They’ll scare them to death: superstitious lot, your average tourist… And why have they got their backs to the shore? That’s not very welcoming is it?”
“The water kept washing the ladders away,” said the aide. “Up there carving faces one minute and then the tide came in and we never saw the men again, so they decided they would only put detail on the dry side.”
“Detail?” yelled the Komóno. “You call that detail? They all look bloody gormless.”
“Some of them are smiling.”
“Smiling? Looks more like a grimace to me; looks more like constipation, like they’re all trying to take a dump in the sea. That’s not very welcoming is it? I can see it now, a distant bamboo raft. A lone rafter peers into the hazy distance before calling out to his sleeping raftmates, ‘Land ahoy. I see an island over there. It’s full of giants shitting in the sea. Let’s go and trade some beads with them.” The Komóno looked at the gargantuan volcanic carvings one more time and shuddered. “We’ll have to bury them,” he said.
“Bury them?” choked the deputy. “Bury them? Oh no, no, no, you can’t do that. The men won’t like it, not at all. Took them months to make they did.”
“Months?” said the Komóno. “Those? It’s really soft isn’t it, that rock from the fiery hole: easy to carve? Couldn’t have taken them long; they haven’t even got eyes.”
“They keep dropping out.”
“I’m not surprised.”
“Look, the men took ages dragging them down here to finish them off. I know they’re not brilliant but…”
“Why are their heads so big?”
“…they’re the best they could manage.”
“Can’t they just turn them around, like they’re saying ‘Hello’ rather than giving the cold shoulder?”
“They tried, but the heads fall off. The eyes drop out…”
“Look, we need foreign trade, we know that. We are in serious need of carved beads. We can’t afford to scare visitors away. We have to bury the statues.”
“Ok, but the men are not going to be happy. They believe that they contain the souls of their ancestors.”
“Really? Why?”
“Well, if I’m honest, their wives kept asking them why they spent so many hours chipping at lumps of rock instead of sprucing the place up, putting fish on the table, carving beads… all of that.”
“So the ancestors thing is just a ploy?”
“Yes. Could be… What’s a ploy?”
“It’s a ruse, a subterfuge, a… oh, never mind. Just tell them to bury the statues. We’ll tell their wives that the tide did it.”
“I’m still not sure they’ll be happy. They took ages… Can we just leave the heads sticking out?”
“Well ok, but get the men to chip those stupid smiles off their faces. The tourists will all think that we’re mad…”






