
Grammar school English Literature classes helped to open my eyes and lift my perspective above The Beano. I was made to read Tom Sawyer but remember frighteningly little of it other than I subsequently chose to read The Adventures of Huckleberry Finn in my own time. I keep promising myself that I will read both again, but I never do. I read Fahrenheit 451 at a similar time – a book to which I have returned pretty much annually ever since, and which led me almost imperceptibly onto Nineteen Eighty Four and the love of all things Orwell (although you would never know it through my profligate use of language). I was also introduced to Shakespeare in the form of Julius Caesar which I loved and, later, Twelfth Night. I semi-enjoyed Oliver Twist (largely, I recall, because it featured a character called Master Bates, which royally amused twelve-year old me) but I loathed Hardy’s Far from the Madding Crowd and stalled completely with The Prologue to Chaucer’s Canterbury Tales: for a boy with a vivid imagination, but a severely restricted attention span, it was like reading the instructions to a flat-pack wardrobe… in Serbo-Croat. I never got to grips with The Lord of the Rings or War and Peace as many of my contemporaries urged me to do. They looked very long. I read Eric Malpass and refused steadfastly to read the dog-eared copy of Mein Kampf that was doing the trendy rounds. Nor did I fully get to grips with Lady Chatterley’s Lover as, there being only one copy in circulation, I could not read quickly enough for those scheduled to follow me (also, if I’m honest, because I found it exceedingly boring). Instead I read my grandma’s Weekend and Titbits, Amazing Tales and Astounding Stories, Punch from the school library and my beloved Mad Magazine from my pocket money: I read everything I could lay my hands on whilst abjectly failing my English Literature GCSE (although passing English Language which – to my recollection – consisted of writing the kind of gubbins with which I later became mildly successful).
By and large, I did not return to ‘serious’ novel reading for many years. I stuck to Spike Milligan, Alan Coren, Woody Allen, Douglas Adams, Tom Sharpe and the hundreds of other humorous writers that used to exist before – as publishers never tire of telling me – people stopped reading comedy, only slowly reintroducing myself to adult literature at a much later age. (No, not that kind of adult literature, thank you very much. I managed to leave picture books behind me in Nursery School and Reader’s Wives shortly after I got my first pair of glasses.) Even then I seldom strayed beyond Graham Greene, Colin Dexter, Conan Doyle and Stella Gibbons. I attempted Ulysses annually for about thirty years without ever making it beyond page 60 – at least not without losing consciousness. I still return to Orwell and Bradbury regularly, but in almost every other respect my reading age refuses to nudge up above juvenile – except that I have become very familiar with bills and T&C’s – and I return to books like Diary of a Nobody and Three Men in a Boat with a joy that is undiminished by familiarity.
There was a time, not a million years ago, when it all mattered. I would have liked to have pushed my brain further than perhaps Ian Moore and Richard Osman, to have enjoyed a novel that proved to be challenging above entertaining, to have overcome hardship in reaching the end, but if I’m honest, if I didn’t enjoy them, I didn’t read them. Now? Well, if age robs you of anything, it is the propensity to become a complete tosspot. I have no desire to be anything that I am not (although I wouldn’t say no to being somewhat better formed). There are some – maybe many – who would say that I have already achieved full tosspot…ness without the need to broaden my literary outlook and, although I heartily disagree with their verdict, I can’t really argue with it. I try to be a better man. I would always choose better over brighter, as I would choose fitter over thinner, simply because they are achievable.
Besides, I think that I probably know enough words already and I somehow doubt that seeing how somebody else has used them will make me better in any way. I want to write, I don’t want to copy. I wouldn’t become a better painter if you gave me more paint. Just ask Tom Sawyer…
No, his mind is not for rent
To any God or government
Always hopeful, yet discontent
He knows changes aren’t permanent –
But change is… Tom Sawyer – Rush








