Nobody ever says, “I really need to lose a little weight,” unless they really need to lose a lot of it. I know this because I need to lose a little weight myself, but I am at an age that means I will remain tubby or I will become gaunt: I will look fat and healthy or thin and ill. When you pass sixty you are doomed to look either overweight or unwell, there are no other options: leotard or tub-of-lard. I have grown accustomed to being on the plumper side of overstuffed. If I was a cushion, I would be the one that you gave to the dog.
You know how it goes, one of those days when you eat until you start to feel like some kind of extruded sausage. When, having eaten far more than you know you should, you turn to drink and, having drunk, you turn to peanuts. Perhaps you don’t. Maybe you don’t like peanuts; maybe you don’t like whisky, maybe you’ve never felt like too much suet in a single duff. Somehow, it always comes as a surprise when someone tells you that you’re supposed to have an apple instead of cake, not as well as; when they tell you that carrot cake is not one of your five-a-day; that orange squash is not an orange; that a banana split does not count as two bananas…
As you become older everything makes you fatter and nothing, other than ill-health, makes you thinner. Thus, in the minds of most people, an elderly thin person is an unwell one. I definitely carry a little too much timber. I would quite like to shift some of it and I’m quite certain that doing so would not make me ill. The problem, should I actually lose the weight, is that nobody bothers to tell my skin that it has less flesh to cover. It does not shrink to fit. It hangs in folds and gives me the kind of jowls that are otherwise associated with Deputy Dawg. I don’t want to look like somebody else – for a start I’d never be able to get onto my phone – but I would quite like to look like a thinner me. Not because I have a great face – my mum used to show me milk whenever she fancied a yoghurt – just that it is the face that I have grown used to. It is the face that scares me in the mirror every morning. It might not be much to look at, but it comes attached to my body and as long as I see it in the mirror, I know that I am still around. In the movies, when fugitives ‘change their appearance’ with the kind of radical cosmetic procedures that, in the real world, leave relatively normal-looking people resembling one of our less-attractive simian ancestors, who do they see when they look in the mirror? Do they still see themselves, or do they see somebody else? Do they become somebody else? Maybe someone a little slimmer, with less saggy skin…
Don’t want to be a fat man Have not the patience to ignore all that Hate to admit to myself I thought my problems came from being fat… Fatman – Jethro Tull (Anderson)
So, I was wondering why the only thing I’ve never seen Doctor Who do with his sonic screwdriver is to tighten a screw, when it occurred to me how very very sad my life has become, and then I realised that it has always been that way: my ability to whittle over something that is not only inconsequential but also entirely fictional is without equal. You know the kind of thing: why do terrified people always walk into a darkened room; if there is more than one of them, why do they always split-up? Why does the gun always run out of bullets when just one round would see off the bad guy? Why do I worry that my own particular skillset would boil down to gibbering quietly in the corner, attempting to hide in my own sock? Why do I worry that with my back to the wall I would be less John McClane and more clematis?
The only thing that separates fact from fiction is that they are completely different things: situations are not real, reactions are not real and no-one ever feels sick because they have eaten too much chocolate. And of course reality is so much more rational, isn’t it? Well, we have a world led by a man who seriously looks as though he is only managing to dodge the coffin on the grounds that The Lords of the Universe have looked at him and thought, “Well, what harm could he do? And anyway, look at the alternative.” We have Putin, we have Xi, we have Israel and Hamas, we have Iran, and we have madmen running around with guns and knives… doesn’t it all make a sonic screwdriver seem quite logical? (In reality, logic is something that only mathematicians and astro-physicists believe in. For the rest of us it is The Chaos Theory and Wacky Races on TV.) Nothing really makes sense. Why is there nothing in the world that makes you crave a cup of coffee quite like the sound of the coffee machine turning off? Why does nothing make you realise that you’re not that hungry quite like the ‘ping’ of a microwave? Why does nothing make a politician quite so contemptuous of the common man as being elected as a man of the people?
Perhaps we need Doctor Who to sort these things out. Could his ‘wonder tool’* turn the previously pretty teenage girl away from a short-term future as a dead-skinned puffer fish with lips that can only drink through a straw? Could a sonic screwdriver ensure that all of the clocks in the house did not run out of battery at exactly the same time; that your phone didn’t run out of charge at the very second you manage to find a signal; that your keys were in your pocket at the end of a journey as well as at the beginning; could it fix the kind of extremely annoying personality trait that has idiots fretting over things that they cannot control? Could it stop them from believing that a sonic screwdriver actually exists…
You need to find out ‘Cause no one’s gonna tell you what I’m on about You need to find a way for what you wanna say But before tomorrow… Supersonic – Oasis (Noel Gallagher)
Entirely unlike the three-bedroomed, two bathroomed beast we holidayed in – but much cooler to look at.
It seemed like a jolly idea: a few days in a caravan (we haven’t done that for years) in the North East of England (we’ve never been there). The journey, scheduled by Sat Nav to take just less than four hours took considerably longer as (wisdom, not being infinite, as advertised) we decided to make the journey on a Bank Holiday Monday and whomever is responsible for such things decided to dig up every single road along the way. At least the various diversions meant that we got to see the centre of Newcastle – five times I think. We arrived to typical North East spring weather – very cold, locals bare-chested, tourists in mufflers, the entire landscape being shrouded in a thick, freezing sea fret – and moved our gear into the caravan: approximately ten times the clothing required for a holiday in any climate less unpredictable than our own (e.g. absolutely anywhere).
After an extended period spent shuffling from cheek to cheek in the car, I felt somewhat like a cowboy who had spent too long in the saddle, and it wasn’t too long before I realised that the old farmer Giles* had taken the opportunity afforded to them by a long journey to – quite literally – become a right royal pain-in-the-arse. Oh well, I treated them in the way I always do: a raging hot curry should do the trick…
…This morning I am standing by the bathroom door, waiting for the cure to take effect, whilst listening to my wife – who has taken to her bed** – coughing in the bedroom. You just can’t beat feeling ill in a tin box. We’ll wait until she feels well enough to get up before deciding whether to stay here or head straight home: she might not feel well enough to travel and I might need to find a rubber ring to sit on. I would tell you what this morning’s weather is like, but to be honest, I’m not sure. All I can see through the window is grey: thick, cloying grey. My watch tells me that there is no rain in the forecast but, as the site Wi-Fi is more intermittent than sunshine, it might not be the most reliable of sources. I’m sure that I would hear rain on the roof if it was here, but I have no idea of whether it is on its way. (Actually, we currently have what sounds like a whole flock of seagulls clog-dancing on the roof, so having given it some thought, I’m not entirely confident that I would hear the rain. I’m not certain I would hear a nuclear war.)
The sea-fret is forecast to lift this afternoon – the sun may even decide to fleetingly peep out from behind its folds and shine down on us. I might take my little canvas chair outside… and my big coat… and a mug of tea… and, thinking about it, it would probably be wiser if I stood anyway. Experience tells me that time is the only healer for haemorrhoids: keep the pressure off and allow them to self-heal – I’ve tried medication before and, to be quite frank, for all the good it did, I might as well have shoved it up my arse …
*Piles (haemorrhoids) **With what shows every sign of being a ‘with knobs on’ re-run of last week’s cold.
You better bring your own sun, sweet girl You gotta bring your own sun And don’t you forget, you bring your own sun Just enough for everyone For everyone… Welcome to England – Tori Amos
I had never actually tried to seek him out before, he had always found me, and if I’m honest, I had no real idea of where to start. I wandered the streets for days, sat on buses, drank in pubs. I retrieved his petrol can from the back of the shed, but it held no clues: it was rusty and the last few drops of the petrol it had once housed had long-since absorbed into the softly rotting floor. I couldn’t remember the last time I had even seen a metal petrol can. ‘Only him,’ I thought. There would be a reason for it of course, some kind of message about strength and fragility. I would ask him – if ever I found him.
More than a year had passed since the last time we spoke and much had changed – and yet it was the same. I had made contact with my soon-to-be ex-wife and we had spoken, almost exclusively without rancour. Well, she at least, had spoken without rancour: I had been my usual petulant self, but against all odds we had managed to remain in one another’s company for more than an hour without once resorting to violence and name-calling. It had not physically changed anything: she was still well on the way towards becoming my very ‘ex’, but the absence of desire to kill after our encounter was exactly the kind of progress I thought that I should report.
Also, I now had friends – even if I wouldn’t want to be seen out with them in daylight. We went out together, or more precisely, we met up at the same place every Friday night in the bar of The Harrows for a few pints, a volcanically microwaved prehistoric meat pie and a quiz. We never won, but we always got through the evening without major ructions and, as loathe as I was to admit it, I looked forward to the occasion, even if the quiz master did insist on calling us ‘the sad bleeders in the corner’, when our actual name “Archimedes’ Crew”, was quite clearly written at the top of our answer sheet. More progress to report. My life had become, if not exactly good, then at least bearable at times. Never-the-less I knew that there were still pieces of the jigsaw missing and, instinctively, I felt that he had them.
So it became my habit whenever I had the opportunity to sit for a while, empty my brain (a frighteningly simple exercise) and then just see where my legs might take me. I did things. I did theatres, museums, football matches, bus trips, weekends away – all alone, all in the hope of being found, and as each day, week and month ticked away I became increasingly convinced that my final meeting with Lorelei was already in the past. The little diversions became a way of life – just something I did – but as they became more and more habitual, the feeling of emptiness and disaffection began, once more, to chip away at my soul…
…The rain, although not heavy, was as persistent as a text-message reminder from the dentist and more than a match for my cheap, Ebay kagoule. I couldn’t tell you why I had chosen Newark to visit: it was easy to get to on the train and it had a castle and a river, but as the icy cold precipitation soaked through every one of my manifold, yet inadequate, layers of clothing forming a puddle in my crotch that, despite its location, still succeeded in being a good ten degrees colder than the surrounding temperature, I couldn’t think of anywhere else that I less wanted to be. I picked my way across the market place, along the glistening cobbles, sensing the slick, unsteady surface through the wafer-thin soles of my saturated Converse, towards the dim yellow light that beckoned me from the windows of the pub in the corner, when I became aware of a small crowd gathered around a figure on the floor. Instinctively I pushed my way in, feeling the burning imperative of the recently acquired St John’s First Aid badge in my pocket and found myself looking down on a familiar, bearded face. He looked up and beamed a greeting smile. “I knew it would be you,” he said. “Thank you everybody. I know this man. He has training. He’ll help me across to a seat in the café there. I’m sure I’ll be fine after a few minutes in a chair. I’m so very grateful for your help. Thank you.” And all I could do was wonder why on earth he wanted to recover in the café instead of the pub. I helped him to his feet. “How?” I asked. “I just slipped on the cobbles.” “I mean,” I said, “how did you know it would be me?” “Well I don’t know anybody else here,” he said. “But how did you know that I’d be here?” “I didn’t… Did I?” He looked confused. Painfully aware that the pub was just next door, I led him into the café and sat him at a vacant table. The waitress was with us almost at once. She was all concern and fret. “Are you sure you’re okay?” she asked. My companion assured her that he was. “Okay,” she said, finally content, “As long as you’re sure. I’ll get your tea. What would you like love?” “Coffee please.” The waitress bustled away. “Do you come in here often?” “I don’t think I’ve ever been here before.” “So how did she know you wanted tea?” “I always have tea. Now,” he said, “why did you want me?” “I didn’t! Well, I did, but…” He was looking around the room, breathing in his surroundings, reading the walls like he was in a museum. “It’s so important to be open to the new, don’t you think?” “Yes,” I cast my own narrowed eyes around the twee yellow chintz palace, “but ‘the new’ can be pretty boring as well, can’t it?” “I suppose so. I always think about see-saws. You want excitement on one end, then you’ve got to put excited on the other. If you want to sit at the bottom end just staring up at nothing happening, then it’s best just to stare. If you’ve got nothing to contribute then you can bounce as hard as you like, you’re always going to end up on the ground with the business end wedged under your chin.” “So you’re telling me that I can only get out of life what I can put into it, right?” “Am I? Oh…” The drinks arrived at the table and, having poured Lorelei’s tea – milk first, one sugar – the waitress fussed away to her romantic novel behind the till. I sipped at my coffee, which smelled great but tasted like it was a virtual stranger to the coffee bean. “I don’t think I always try very hard.” “I don’t think you have to try too hard,” he said. “Just try.” We drank in silence. Somewhere unseen a cuckoo clock marked the hour and, instinctively, the waitress, Lorelei and I all looked at our watches. “Well, I suppose I’d better get going,” said my companion, rising slowly to his feet. I noticed, for the first time the bruise on his head. “Are you sure you’re ok?” “I think so,” he said. “But it wouldn’t hurt to check on me now and again, would it?” “How?” “Oh, don’t worry, it’s easy enough. You can let me have my petrol can back some time.” “It’s rusted.” “I know…”
First published 08.04.22 under the title “A Little Fiction – Conversations with the Bearded Man (part 6)
We had a joke at school that went “What’s the difference between a duck? One leg’s the same as the other.” The joke being, of course, that there wasn’t one. The joy was purely for the teller, to be found in the puzzled look of total incomprehension in the eyes of the ‘audience’. We would tell it over and over, often to the same people – all part of the ‘fun’. It has stuck with me all my life and I think about it whenever I write something that is just not funny – so quite often. There is something altogether more reassuring about thinking, “That’s exactly the way it is meant to be: the joke is on you,” than “What I have just written is utter shite.” I am guessing that we all know someone – it may even be you – who revels in telling the same joke again and again, knowing that everyone will laugh because… well, because nobody wants to be an impolite tosser do they? Who’s going to be the man that says “You told us that joke last week – and it wasn’t funny then”? Habitual joke re-tellers tend to be the life and soul: they have lots of friends. They might be big.
Besides, we all do it from time to time don’t we? Everyone repeats jokes, it’s just a question of remembering your audience. The great Billy Connolly once did consecutive shows without repeating a single joke. Such talent is rare (unique, I would argue). Most comedians repeat material night after night – the jokes remain the same whilst the audience changes.
Jokes can be nuanced: fashioned by surroundings and circumstance, and such light and shade is not necessarily appreciated by the audience. As a youth I often drank in Working Mens’ Clubs and I am pretty sure that a Friday evening comic might have been told exactly where he could stick his nuance. Thankfully the days of jokes that need a target have largely gone: men can still gently snipe at women, women at men, and everyone at politicians, but stray into misogyny or racism and you, quite rightly, will get the reaction you deserve. (If you do get laughs, you almost certainly have mistakenly wandered into a Reform UK meeting.)
Anyway, nobody tells jokes any more, do they? The days of “A man walked into a bar…” are long gone, as are the Englishman, Scotsman and Irish man jokes as, since Brexit, nobody is particularly keen on spending time in the company of the Englishman. Jokes that do need a target will only work when the teller is, himself, the target. Self-flagellation pretty much guarantees laughter. If you have a particular peccadillo, of which most of the audience is aware, so much the better. Making a fool of yourself is always an acceptable way to get laughs, as long as you haven’t done it all in front of the same people before – and if you have, well, you can always become a politician… or a duck.
I’m not good-looking, I’m not too smart I may be foolish but I’ve got a heart… Don’t Laugh at Me (‘Cause I’m a Fool) – Norman Wisdom (Seskin/Shamblin)
N.B. If you have read right through this week, then thank you. I do realise that this week’s posts have not exactly been my usual fare (although I do also accept the possibility that is exactly why you’ve read them right through.) If you have enjoyed them, don’t worry, I’m sure there will be more to follow in time. If you haven’t liked them, don’t worry, it will never happen again… Next week I hope to return to something a bit more like normal and the week after… well it’s long way away isn’t it…
…Outside of Bruce Forsyth and Jimmy Tarbuck on Sunday Night at the London Palladium there was little in the way of stand-up comedy for we pre-teens in the late sixties and early seventies. TV is what we had and, by and large, that meant old films…
…My first great comedy love was Groucho Marx: I would watch late-night Marx Brothers films on TV long after what should have been my bedtime – always after Match of the Day and The Odd Couple, long after my parents had departed for the night. My earliest memory of laughing until I cried was at ‘Lydia the Tattooed Lady’ (At the Circus). Groucho was inherently funny, although, unlike most of the comedians mentioned in part one of this piece, he relied heavily on script, particularly for the snappy one-liners for which he became so famous. Without doubt in my mind, the king of the one-liner was Bob Monkhouse, a comedian who would, himself, never claim to be intrinsically funny, but who had the quickest mind of any I have ever seen. A great joke writer and the writer of one of the greatest ever one-liners: “People laughed when I told them I was going to become a comedian – well, they’re not laughing now…” – a great comedian, but definitely no clown. Taking up the baton from Groucho, my next great film love was the giant talent of Mel Brooks, most particularly in the films he made with Gene Wilder*. The Producers, A Silent Movie, Young Frankenstein, Blazing Saddles, these were films that reduced me to a blubbering wreck. Mr Brooks was decidedly (and wilfully) non-PC even back then – Lord knows what the censors would make of any of his films now. I don’t suppose a single one of them could be made today – which is sadly why the world has got itself into the kind of state it is in…
…And I became, as all boys of my age, a complete devotee of Monty Python’s Flying Circus, staying up late to watch the show (Tuesday evening I seem to remember – my parents were never over-authoritarian over ‘bedtime’ and often left me watching TV downstairs long after they retired for the evening, secure in the knowledge that there was bugger-all to watch but the test-card after midnight) memorising entire sketches for repeat performance at school the next day. I started to write ‘comedy’ at a very early age because all I wanted to be was the new member of the MP team. John Cleese was, of course, the figurehead, but never my favourite Python. He is an inspired clown, in the tradition of Charlie Chaplin, who always seemed to me to have to work just a little too hard to make it look like fun. He found his apogee as Basil Fawlty in a truly brilliant and tightly scripted comedy masterpiece (Flowery Twats anyone?) that played to all of his strengths and carefully wrote out all of his weaknesses: his ‘loftiness’ and ‘pomposity’ were played for spectacular comic effect, and his ‘bubbles’ hilariously burst by (I believe) the script contributions of Connie Booth.
In fact I most enjoyed the final series of Python – yes, the one without Cleese – because it played into the hands of my own comic hero, Michael Palin. This series was very much the precursor to Ripping Yarns, the best (in my ‘umble opinion) of all post-Python endeavours. Palin is simply funny and he has the humility and approachability that is conspicuously absent (in the public persona, at least) of Mr Cleese. Eric Idle (the George Harrison of the Pythons) shone brightly in Rutland Weekend Television and via The Ruttles became king of the comic song – so heavily featured in the most recent Python reunion (2014? Surely not…) – and crucial to film and stage endeavours. As for Graham Chapman, delightfully (and drunkenly) bonkers, sadly we will never know what more was to come from him…
Behind the closed door of my bedroom, the only TV being downstairs, a huge part of my comedy upbringing was via the long-lost comedy LP, listened to over and over again until every word, every nuance, was learned by some kind of osmosis – foremost amongst them being Monty Python Live at Drury Lane, Jasper Carrot’s Beat the Carrot, Rabbits On and On and Best Of (purchased solely for the inclusion of the seminal Magic Roundabout) and, of course, the wonderful (and, at that time, otherwise unbroadcastable) Big Yin Cop Yer Whack For This and Raw Meat for the Balcony – proving once again that great comedy could be heard and did not necessarily have to be seen**. I wonder if anybody listens now?
*The one AND ONLY Willy Wonka.
**QV the magnificent Milligan and The Goon Show.
I’m not good-looking, I’m not too smart I may be foolish but I’ve got a heart… Don’t Laugh at Me (‘Cause I’m a Fool) – Norman Wisdom (Seskin/Shamblin)
I had an idea of where I wanted to go, but I was determined that this post should not become just another ‘list’, without realising that it could, instead, become very long indeed (and has thus found itself split into three parts)…
…So, it started with a car-boot purchase of an autobiography by long-retired stand-up comedian (and later film star) Lee Evans (The Life of Lee) and a short passage reminiscing about the comedians he admired as a child, which of course, got me going. There is a certain class of comedians who are ‘just funny’, regardless of script or situation. The undoubted king of this category would, for me, be the late, great Tommy Cooper, a comedian who could, quite literally, have his audience in tears of laughter without saying a word: Eric Morecambe (Morecambe and Wise), Marty Feldman and the greatest of all stand-ups Billy Connolly all had the very same gift of simply being funny. It wasn’t even an anticipation of what they were going to say that got people laughing, it was just them being there. All of them had (or in the case of Sir Billy have) funny bones. It isn’t that you know they are going to be funny that makes you laugh, it is simply that they are funny. A great script is the icing on the cake – but these people are funny anyway. The wonderful Larry Grayson was another comedian who could make me laugh simply by being there. He did nothing more than invite you in to share his life. He didn’t even tell jokes, he just tittle-tattled on. He was simply funny. I would also put the incomparable Dave Allen in this category, although for a minutely different reason: he would make you laugh before he started, but in his case it most certainly was in anticipation of what he was about to say. His humour was never intended to appear spontaneous, but you knew he was going to make you laugh out loud so, what the heck, you might as well start now…
Victoria Wood was very much the same: you were ready to laugh the moment you saw her, because you knew that she was going to be funny. A bona fide comedy genius she played with words in a way that nobody else has ever matched. Her sketches were true comedy gold and in Dinnerladies she gave us an absolute gem of a sit-com, but for me it was always as a stand-up that she truly sparkled. She drew the entire audience in, in such a way that everyone wanted to be part of her life; to laugh with her at the sheer ludicrousness of it all. AND she succeeded where so many failed before her: in making comedy about female subjects accessible as well as wildly funny. Along with my American love, Rita Rudner and, in the UK, Sarah Millican and Sarah Pascoe, she taught men that a) women can be every bit as funny as them and b) men can be every bit as ridiculous as women.
The comedy giant (in Britain) that is Peter Kay has recently returned to his stand-up comedy roots and when he is in full-flow he remains impossible to resist. He has mastered the skill of playing to huge audiences: allowing us all the opportunity to laugh at ourselves and everybody else around us. Michael McIntyre and Romesh Ranganathan at best are capable of the same, but like most modern stand-up comedians they have shone brightly for a while before, at the very first opportunity, finding something else to do. Something that is far less demanding and which, at the same time, exists solely because of past glories.
Stand-up is not dead, it has just become a game show…
I’m not good-looking, I’m not too smart I may be foolish but I’ve got a heart… Don’t Laugh at Me (‘Cause I’m a Fool) – Norman Wisdom (Seskin/Shamblin)
N.B. I make absolutely no apology for including this song amongst the list of classic rock I have used for my titles so far this year. Norman Wisdom films were a staple of my youth and this song sums up his hapless lovelorn screen persona to a tee.
It has occurred to me that most of these great comedians are, in fact, late great comedians and I wonder what that might mean for stand-up comedy in the future. There are many many very good comedians doing the rounds these days, but how many will go on to be great and how many see stand-up as merely a stepping stone to TV gameshow host or Hollywood voice actor remains to be seen. Also, I realise that many of these comedians, Sir Billy outstanding, are probably fairly-well unknown anywhere outside of the UK. Comedy can be very ‘location specific’ and those that brook the geographical laughter barriers are few and far between. Other than the ubiquitous Mr Connolly, we have only really shared Eddie Izzard, Ricky Gervais and Russell Brand with the US of late (and for one of them – at least – I can do nothing but apologise). Germany has given the UK Henning Wehn, the US gave us Reginald D Hunter and Rich Hall. Canada gave us the delightful Kathrine Ryan and the much missed Kelly Monteith (who once made me laugh so much in a theatre that I feared auto-asphyxiation). TV and film comedians find national divides much easier to bridge, for the stand-up the world is made up of very different places. Perhaps this shrinking world of ours will change things. Perhaps we all need to learn to laugh at the same things – or maybe we just need to learn that it is ok to laugh at one another sometimes…
If you have not heard of the comedians I have mentioned here, I can only apologise and urge you to check them out on Youtube…
Yet another day when my spirits had descended to previously unplumbed depths: I was a compromised bathysphere, slowly sinking into the abyss whilst building up the kind of internal pressure that could foretell of nothing other than impeding disaster and a date with the fishes. My mood was black – I would say blacker than black, because ordinary black had become my normal default mood, but my mum always told me that there were no shades of either black or white, so whilst no saintly youth club leader could ever be whiter than white, I could not be blacker than black, just black, very black indeed – and my spirits were lower than the Trustpilot rating of the average Italian politician. I could not have been more down without being out. Except Christmas Day lay just around the corner: the knockout blow; the nightmare scenario for a man whose very best efforts at false bonhomie fell somewhat short of the minimum expected, a man abandoned by the Grinch because of his over-zealous views, a man whose ho-ho-ho had somehow become a strident no-no-no. I am tempted to say that I have always felt the same way about Christmas, but it would involve me in the kind of lying that would redden my cheeks and make my nose itch. This seasonal melancholy was relatively new to me, although I had been engendering it in others for years apparently.
Christmas is no time to be alone. I have no family, whilst the few friends I have, do have family, with whom they chose – treacherous scum – to spend the festive period, so, as usual, Christmas Eve found me alone in the pub observing life through the bottom of a beer glass. I had almost reached the decision to go home early – a plan that was only forestalled by the fact that the kebab shop hadn’t opened yet – when a hand reached out to take my glass. I was about to protest that I hadn’t finished, despite the fact that I patently had, when I noticed the cufflinks and the crisp white cuffs. The landlord was a grand chap, don’t get me wrong, salt of the earth and all that, but not really a cufflink wearer. The kind of people he employed as bar staff were much more likely to have them through ears, nose or nipples than shirt cuffs. Given the state of the table tops, nobody in their right mind would wear a white shirt in there. To be honest, a full forensic overall would be less out of place and definitely more suitable.
“Same again?” said the voice that I knew I was going to recognise even before its owner had spoken. “How do you do that?” I asked, simultaneously nodding an affirmative. The man that I now knew as Lorelei simply smiled and walked to the bar. The landlord left his conversation and served him without a hint of rancour. If I had wanted serving in mid-Brexit rant, I would have been told to hold my horses in no uncertain terms. For Lorelei he was all genial host. But for the fact that he was as bald as a coot, his forelock would have been on the receiving end of a severe tugging. I could not hear the conversation, but whatever my bearded friend had to say, the coot found it exceedingly amusing. He made no attempt to short change him.
I thanked him for my drink and took a long draught from the glass. “I’m surprised that you drink beer,” I said. “I don’t,” he answered, “but the landlord was so happy to serve me, I didn’t have the heart to ask for a dry sherry.” He took a long drink without flinching. “A bit more hoppy than I was expecting,” he said, after pause for reflection, “but quite adequate, all in all, I expect.” “So,” I ventured, trying to sound as cool as I could. “What brings you here on Christmas Eve? Not exactly your local, is it?” “Isn’t it?” He looked shocked and I realised – with a flicker of the surprise I had grown used to in his presence – that I had no idea at all of where he lived. “Well I’ve never seen you in here before.” “No,” he said. “Is this your local?” I was painfully aware that he already knew the answer, but I gave it all the same: “It used to be” a mite more sulkily than I intended. “When I was… you know…” He nodded. “More local?” “We used to come in here a lot, when we were… you know… Before she left me for that…” I wanted to swear, but I felt quite certain that I would feel as though I had let myself down by doing so. Odd, I can normally barely stitch two sentences together without writing out an IOU for the swear box. “…Estate Agent,” I concluded, feeling it a more than adequate signal of my distaste. “Ah,” he said. “Should I have bought peanuts?” “What?” “I was just wondering, I’m quite new to this, Christmas Eve and everything: should I have got snacks with the drinks?” “No,” I said. “No. This is fine. I’ll get some when I go to the bar. You will have another?” “As long as it doesn’t have to be the same,” he said.
We sat for some time in companionable silence. I studied his face as closely as I was able to without seeming… weird. He seemed genuinely happy to be there, smiling, out of place in my mind, but not in his. He did not touch his beer. After what seemed to me to be a suitable pause, I asked him if he would like another drink. He asked for a whisky. “He keeps a nice malt under the counter,” he said. “His little weakness, I think. I’m sure he’d be pleased to share.” I approached the landlord with caution, it always seemed wise, and explained what my friend had suggested. “A gent,” he said pouring an unmeasured tot into a tumbler. “Tell him it’s on the house. Here…” he said, handing me a freshly filled water jug. “He’ll want this.” Unsurprisingly, my pint was not on the house.
Lorelei seemed much more at home cradling his whisky than he had appeared to be with beer, although he did not appear to be convinced by the pork scratchings. “Well,” he said at length, “it’s so nice to be in company, isn’t it?” I had to admit that, even though the conversation between us was sparse at best, I was happy and comfortable in his company. “Sometimes,” he said, “you’ve got to let old things go before you can find new things.” “Sometimes,” I said, “it’s easier said than done.” “Yes,” he agreed, “but it’s a whole lot easier to not even make the effort. Why don’t you like Christmas?” “Well I… I… Why do you say I don’t like Christmas?” “Do you?” “No.” He smiled. “But,” I continued. “I used to.” He swirled his whisky in his glass, peering down into it as though he was looking into a crystal ball. I felt obliged to fill the conversational void. “It’s not the same, is it,” I whined, “when you’re on your own.” “The same?” he sipped his drink with exaggerated pleasure. “The same? No, I suppose not. Nothing is ever the same, but you can find pleasure if you choose to look for it. Perhaps you ought to start looking.” “Where?” “Where? Everywhere. Maybe not through the bottom of that glass – it’s not been cleaned properly in years and the beer… oh dear, the beer – but if you look for joy, you’ll find it. If you’re content with what you find, then friendship will find you.” He drained his glass and began to rise from his chair. I looked at the clock on the bar; 11:30. Where had that time gone? What is it they say about time? Lorelei had waved his goodbyes to the landlord, who looked like a dog who had just been given a Bonio, and had moved towards the door. “Do something tomorrow,” he said. “Don’t wallow. Paddle.” He opened the door and a cold rush of late evening air spilled in. I tried to stand, drain my glass and put my coat on, all at the same time. Two things too many as it turned out. “Do you fancy a kebab?” I asked as he disappeared into the night. “No,” he answered…
First published 12.12.20 under the title “A Little Fiction – Conversations with a Bearded Man (part 5) – A Pre-Christmas Exchange”.
The amazing Hunt Emmerson cartoon that announced Our radio series in The Radio Times – long ago, before Time was born.
I try to write pretty much every day: it is my thing, it is what I do, but I cannot deny that I have always found my greatest joy in writing with other(s) – especially when they laughed at my contributions. When they come up with a line that is better than your own, it simply spurs you on to come up with another yourself. The laughter associated with continually topping one another becomes infectious and addictive. I have reminisced on these pages before about the great joy of writing with my (almost) life-long buddy Chris (Crispin Underfelt) and laughing so much as we repeatedly ‘trumped’ one another’s jokes that we then had to take a few days apart to ‘get something down on paper’. We worked seamlessly because we both knew our strengths: Chris was the ideas man, whilst I just twatted about with the words. Together we came up with a thousand one-liners per hour. I jotted down as many as I could remember and ‘worked them up’. Sometimes Chris would fly off in another direction – anywhere from project B to Z – before project A was finished, other times he would doggedly stick to an idea long after I had given up hope. There were times, of course, when Chris would serve up a flat ‘No’ to lines that I thought were great and, as the person who generally did the typing, I would sneak them back into the script only to have them vetoed again at the next read-through. Similarly I would leave out lines I didn’t like, only to find that Chris’s own notes clearly showed that they were in. It always worked for the best and I don’t recall us ever falling out.
I have a boxful of scripts from that time that I flick through now and again and they always make me smile. Like all such things, it is impossible to revisit that time – we wrote a million sketches for the kind of shows that no longer exist – but that knowledge does not mar the joy of what we did then. Through the radio show – which we were absolutely certain would be our big break – TV sketches and a sadly ill-fated musical using the songs of ‘Hello Cheeky’, we operated as a single being: he was up when I was down, he was full of certainty when I was full of doubt. He always made me laugh and I always had a pen.
Chris is a natural performer and he began to drift in that direction as I plodded along writing a number of ‘close but no cigar’ sit-com pilots whilst continuing to contribute articles to any one of a number of humour magazines (all now gone – not my fault I swear) that would pay me for what I did. I am never happier than when sitting at the computer banging away without a care in the world (or, more often than not, an idea in my head) but I always miss the thrill of showing Chris the labours of my week (will he/won’t he laugh?) listening to his jokes, marvelling at the scope of his ideas, shouting at one another until we are hoarse and sharing the laughter…
Now, in case you are wondering why this piece seems out of place and out of time then, yes, I will admit that I have written it in the hope that Mr Underfelt might read it and be spurred on to give you one or two recollections of his own – of our time writing together, of his early attempts at stand-up, and of his own theatre productions of ‘Bouncers’ and ‘Little Shop of Horrors’ , anything. (There are, by way of explanation, links to numerous previous posts scattered throughout.) Maybe he’ll even tell you of our little trip to Hull to see a play called ‘Moose’ and an ill-advised stop to ask some young ladies on a street corner if they could tell us where to go. They did…
EMERGENCY A sudden, urgent and unexpected occurrence requiring immediate action. Usually the result of a late-night kebab from a take-away that you wouldn’t have gone within thirty feet of without a flame-thrower and an economy-sized spray of industrial-strength DDT when sober.
ENCUMBER To load with debt, to impede, to embarrass. Obviously it is the embarrass bit that is relevant here – particularly if you thought this was a green, phallic salad fruit.
EQUIPMENT Anything kept or provided for a specific purpose. Machine guns, ground-to-air missiles, fast cars, Swiss Army knives etc. may all prove to be beyond your means. Don’t Panic! Equipment does not need to be expensive to be effective. A loaded pea-shooter in the ear can be very disconcerting, particularly in the dark. A tumbler applied to a joining wall can be just as effective as expensive electronic bugs – and you can’t drink out of a bug when you get bored of waiting for something to happen. A certain amount of creativity will be required when gleaning information in this manner, as the conversation you hear will unfailingly be muffled, repetitive and exceedingly boring to all but Alan Bennett. The juice of an onion (readily available at Waitrose I believe) makes perfect invisible ink (although it does make all your correspondence smell of onion) and a house brick is the ideal substitute for expensive skeleton keys.
ESCAPE To get away from confinement or restraint. Technical word for what we practiced subversives call ‘running away’. Escape is the only logical response to all types of danger. Much is made of the Fight or Flight effect of adrenaline, produced by the body’s adrenal glands in response to danger. I suggest you strive to develop a Flight or Fight effect. Learn to respond instantly to your initial instinct. Run. Run every time. That way, if for some unfathomable reason you should decide that you do not want to be seen as a pathetic little coward and you take the decision to fight, you will already be too far away to do anything about it.
ESPERANTO A language invented by Dr Zamenhof (c. 1887) to enable people of all nations to converse together. – Also known as ‘shouting’ in English.
EXCREMENT Ordure, dung. Try not to be around when this stuff flies, sticks or hits the fan. Can be used in a number of subversive ways – none of them terribly pleasant – and none of them I can list here on grounds of taste, decency and the fact that if you subsequently go out and try to execute such an action, I may find myself hauled up before the beak for ‘Putting ideas into the heads of the mentally challenged’ or similar. Remember, if you get caught in the act of using ordure in the course of subversive activities¹, you may well find yourself right up to the neck in it.
Being caught in somebody else’s garden, whilst in possession of poo is something that you are unlikely to be able to pass off as a harmless hobby.
EXPLOSIVE Anything likely to explode eg gunpowder. Let’s face it, as an amateur, you are extremely unlikely to come up against anything more explosive than a prawn vindaloo – actually, I’m not certain that there is anything more explosive than a prawn vindaloo. You could try to feed it to your enemies, but honestly, it’s not the sort of thing you can slip into their muesli without them noticing. A bit like an atomic bomb – it’s the fall-out that causes the real trouble.
EYESORE Something ugly to look at. The world is full of such things, every single one of them man-made. Turning beautiful things into eyesores is an inexpensive and effective subversive ploy: try sticking an imitation wart onto the face of the Mona Lisa¹; build a dirty-great coal-fired power station in the middle of our green and pleasant land; attend an EDL meeting. Please remember that an ‘eyesore’ is not the same as a ‘sore eye’, which is what you will get if you forget yourself at the EDL meeting and reprimand the speaker for using racist language.
I say ‘try’ as the French security guards are unlikely to take kindly to it and you might find yourself nose-down on the floor with a knee in the back of your neck quicker than you can say ‘Zut alors!’ Ultimately, you may wind up in a French prison where you will be forced to share a cell with a large number of blue-chinned men wearing striped pullovers and neckerchiefs, all of them missing wives and girlfriends (plurals are intentional – they are French after all.)
EXERCISE. Translate your subversive Manifesto into Esperanto and see whether anybody either notices or cares.