The Writer’s Circle #16 – The Lure of Summer

Jane Herbert (horror) was the second member of the Circle to face her peers having made an attempt to write in the genre drawn, at Phil’s suggestion, from the pool of those written by every other member.  Romance could not have been more alien to her and she had the added pressure of Deidre analysing her every word but, like Phil who had preceded her, although she found the exercise challenging she also found it rewarding and, as the attention of the group turned towards her, she felt ready to read them what she had written…

“…Frost prickled on the grass, turning each separate blade into a sparkling dagger and fringing the bursting leaves of the overhanging yew trees with a lattice-work of shining, icy lace.  The morning sun reflected and glittered out from every surface, although it yet provided little warmth to the air.  Sparrows fought over the squirming bounty unearthed in newly-turned soil: the desperate comedy of survival cast along the long, long morning shadows; the only other sound the cellophane crackle of bouquet wrappings.

Desmond Demona (Des to his friends, of which there were precious few) sat on the stone-flagged floor in an isolated pool of sunlit warmth, his back against the honeyed limestone of the church tower wall, eyes closed, the black plastic cup gently steaming the scent of stewed milky tea into the air, warming his soil-stained fingers, soothing his senses, calming his soul.  He had the smell of the earth in his nostrils, he could still feel the weathered grain of the spade handle against the skin of his palms.  He was happy in his work, but he took his breaks very seriously – almost religiously.  His timing was meticulous and steady.  In rain or shine, summer heat or winter chill, swaddled in multi-layered clothing or stripped to the waist, his routine remained unvaried: thirty minutes digging followed by ten minutes rest until the job was done.

The job was digging graves and Desmond took great pride in it.  The symmetry of his excavations was revered throughout the diocese.  Even when the unexpected was encountered, in the form of old church outbuildings, clay pipes or illicitly interred beloved pets, he found a way to ensure that the box nestled level, precisely six feet below the sod.

Sometimes he was bothered by the taunts of the local kids as they went to school.  He started his day early, tailored his routine to be as far away from them as possible, but he couldn’t avoid those who chose to loiter around the graveyard during holidays.  He kept his head down and he dug and when they started to pelt him, as they occasionally did, he was always at the bottom of a hole and unable to get out quickly enough to challenge them, so he simply collected the rubbish in a bag (he liked a clean grave) with a view to rubbing their noses in it if ever he caught them.  He never did.  He knew he never would, but the promise of revenge fortified him none-the-less.

The vicar was good to Desmond, managing to find him jobs even when no-one was dying: cutting grass, cleaning headstones, tidying decaying tributes and flowers.  Occasionally he was asked to carry out some menial tasks inside the building; varnishing pews, Hoovering prayer cushions, dusting the surfaces that the vicar could not reach without standing on a chair.  Desmond always did his best – occasionally bringing his own chair from home as it was a little higher than the vicar’s and more stable – but he did not feel suited to ‘inside work’.  He liked to dig.  It was what he was good at.  He liked to feel the sun on his back.  He liked to sit in the shade of the giant yew in the summer as he napped away his thirty minute mid-day break.  For six precious weeks from late May to early July, the sun crested the tower and beat down on his little spot.  Those were his favourite weeks of the year and, although they were still some months away, he sensed them coming in the air and he looked forward to the time when he could rid himself of the cloying cold of the grave by basking in the heat of the noon-time sun.  He loved to feel the heat prickling on his darkening skin, adding definition to a body toned to perfection by a life spent digging.

At least, it was pretty close to perfection as far as the vicar was concerned.  She had been here for five years now and, if anything, she looked forward to the summer months with greater anticipation than Desmond himself.  She had tried to talk to him so many times, to draw him into conversation, but all he ever wanted to hear from her was where to dig and, if there really was no digging to do, he would hold her with his doleful eyes until she found him some tasks, preferably outside, with which to pass his day.  There were times when she had to find him jobs to do around the church itself – when people were just not dying or when the bloody kids just wouldn’t leave him alone – but she could tell that he was not happy there.  She devoted every moment she could at such times in attempting to draw some conversation from him, but she always knew that, for both their sakes, she would very soon have to find him work outside in the fresh air, where he felt able to remove his shirt – where she was able to surreptitiously observe him doing so.

But today, she watched him through the frost speckled windows of the vestry as he screwed the cup back on top of his flask and rose, fully-clothed to his feet.  He moved, she thought, like a cat.  What went on inside his head?  She realised that the paraphernalia of vicarhood hung around her like an invisible cage.  Few men ever think about vicars as suitable girl-friend material but then, truth be told, few vicars ever think about a withdrawn gravedigger as being the man to lead them up the aisle, and she was almost certain that even fewer ever see themselves quite so vividly breaking so many commandments simultaneously.  Slowly she raised the cassock above her knees and sighed contentedly as the heat of the tiny electric heater slowly caressed her legs.  For her, the summer just couldn’t come soon enough…”

The Writer’s Circle started with ‘Penny’s Poem’, here.
Last week’s Writer’s Circle ‘The Mud, the Blood and the Beer’ is here.
Episode 17 ‘New Beginnings’ is here.

The Writer’s Circle #1 – Penny’s Poem

“‘…Freedom is the freedom to say that two plus two make four.  If that is granted, all else follows…’”  Deidre paused, took a quiet breath, and gathered herself together before preparing to launch forth into her next chapter.  Frankie Collins scratched his chin, uncertain.  He’d heard that line before.  He knew he’d heard that line before.  He half-raised his hand to speak, but he just wasn’t certain, and he diverted his hand to smooth down the unruly mop of hair that swamped his forehead instead.  He knew that line, he was sure, but from where?  It could be a book, but it could just as easily be a toilet cleaner advert.  He just could not bring the source to mind.  It was no good, he would have to hold his tongue until he knew for sure.  No chance to consult his phone until the meeting was over and by then it would be too late.  If he called her out, she would just change it.  She would deny ever having said it.  Claim that he had misheard her.  He knew that nobody would back him up; Deidre Desmond was, of course, the Writing Club star.  A published author.  Four full novels under the Mills & Boon banner and a partial review in The Times.  You do not become a published Romance novelist by plagiarising the work of George Orwell…  George Orwell!  Of course!  That’s it, ‘Nineteen Eighty Four’!  Deidre opened her mouth to recommence the reading from what she was certain would be her new best-seller, ‘The Heart Full of Stars’, as Frankie leapt to his feet.  “Excuse me,” he stuttered, still uncertain that he had got it right.  Fourteen eyes turned towards him.  “I denounce you as a plagiarist,” he intended to say, but he had barely stammered through “I” before the door clattered open and Phil Fontaine burst in, late as ever, clearly not on the outside of just his first drink of the evening and conspicuously manuscript-less.  Deidre stared severely and Frankie slumped, deflated by the moment, back into his chair.  His time had passed.

Phil made his way around the circle, muttering soft apologies each time he stood on toe or handbag, until finally arriving at his appointed place next to shrinking violet Penny who studiously avoided eye contact, aware that she would blush horribly.  He looked around the circle, to the sheaves of paper nestled on knees, and appeared to notice for the first time, that he held nothing.  “Ah,” he said.  “I’m sorry, I… I think I must have left my book at home.  I… I was supposed to be reading tonight, wasn’t I?”  He sighed melodramatically.  “And I was really pleased with what I’d written this week.”
“Yes, well…” Deidre smiled the smile of a cat stalking a three-legged mouse.  “I have filled in with a little reading from my own new work so far.  If you are happy, I can continue.”
Phil nodded sadly, although his eyes were smiling.
“Now, where was I?”  Deidre continued.
“You had just quoted the line from Orwell,” yelled Frankie, half leaping to his feet.
Rictus gripped Deidre’s face.  Her teeth cleaved to her lips.  “Ah yes,” she lisped, taking a long, slow drink from her water bottle.  “The quote.  I’m unsure about the quote.  Maybe I will remove that…”

Phil Fontaine and Frankie Collins stood together at the bar, Phil cradling a large tumbler of Scotch whilst Frankie, who was driving, slowly spun a half pint of shandy between his palms.  “I know that she wouldn’t have dared to send that line to the publishers,” he said.  “It would have been picked up straight away.  She was just trying to impress, but just be careful what you read to her, that’s all I’m saying.  Unless you want it to end up in a ninety page pot-boiler.”
“She’s all bluster.  Have you ever seen a single word of what she has written in a bookshop?  Those books go out of print faster than the algorithms that write most of them.  She just regurgitates nineteenth Century bodice-rippers and good luck to her, I say.  She wants us all to believe that what she writes is much more worthy than it is, but let’s face it, she is the only one of us with a publisher at the moment.”
“I suppose so.”  Frankie drained his glass.  “Come on, we ought to go back upstairs.  Everybody else has gone.”
Phil looked deep into the heart of the amber fluid, feeling its pain, before swallowing it down and following Frankie towards the stairs.  “What have we got now?”
“I think that our little wallflower is going to read us one of her new poems.”
“Ah, is it about a bird by any chance?”
Frankie smiled broadly, but did not reply.
“It’s amazing how many rhymes she can find for tit,” said Phil, feeling just the slightest pang of shame.

The two men bundled into the room together, giggling loudly.  The chairs in the neatly laid circle were all occupied, with the exception of the two awaiting the late-comers.  All eyes, except for those of Penny, who was fidgeting nervously with her papers, turned on them.  They found their way towards the empty chairs as noiselessly as they could and took their places.  Penny had her eyes cast to the floor, breathing quietly and deliberately; looking for all the world as though she was waiting to address an audience of thousands.  Phil touched her hand lightly as he sat, and smiled apologetically.  Penny smiled back weakly and took a long deep breath as Deidre rose to her feet.  “And now,” she said, with a grin that played with the features of her face which released it to the world as a grimace, “Before Francis reads us the latest chapter from his new book” – she knew how much he hated being called Francis – “Penny is going to read us her latest little poem called…” she consulted a scribbled note on the back of her hand, “…‘Morning Chorus’.  It is, she tells me, another entry into her delightful little collection ‘The Book of Birds’ with which she hopes to approach a publisher very soon.  I’m sure I speak for us all when I wish her the very best of luck.”

After a sparse round of applause, led by Deidre, had died away, timid little shrew Penny rose to her feet, winking broadly at Phil as she did so.  Shyly, she coughed and began, “I wandered lonely as a cloud…”

You can find ‘The Writer’s Circle #2 – The New Man’ here.

The Haphazardly Poetical – Poems of Love and Indifference: Infamous First Drafts

Poetry
Photo by Trust “Tru” Katsande on Unsplash

The days have grown long
And the winter is finished
I love you in Spring
Now your rash has diminished.

So, it started when I attempted to write something romantic to put inside a Valentine’s card for my wife. These things seldom go to plan, do they? Anyway, it occurred to me that even the great poets must have suffered the same anguish when attempting to construct the early drafts of their own declarations of love. So, I did a little digging around and this is what I found. Consider, for instance, the difficulties faced by Robert Burns when he first attempted to express his devotion…

A Red, Red Nose
O my Luve is like a red, red nose
That’s newly sprung a leak.
O my Luve is like the melody
That only tone-deaf seek.

So fair thy skin, so red thy lips
So bloodshot is your eye
And I will luve thee still, my dear,
When the bar is all drunk dry.

And O my throat is parched, my dear.
Behold my empty glass.
Just go and fill it up with beer;
Be quick my bonnie lass.

Then fare thee weel, my only luve!
Our farewell stays unspoken,
For I will come again, my luve,
When the barman has awoken.

Elizabeth Barrett Browning attempted to get this sonnet right on so many occasions that, eventually, she began to number them…

How Do I Love Thee? (Sonnet 43)
How do I love thee? Let me count the ways.
I love some things about you, but I might need to think.
I would write them all down, but I can’t spare the ink
And I cannot buy more until somebody pays.
I love thee to the level of every day’s
Flossing of teeth and washing of socks.
I could love thee more if you bought me some chocs.
I love thee madly when I wake in a daze.
I love thee the most with the help of some booze
When my vision is blurred and I can’t see your vest.
Though I don’t love the way that thy dentures are loose
And, if I’m quite honest, your skin’s not the best.
I don’t love your pimples and pussy-nosed ooze.
In fact, if I’m honest, I think you’re a pest.

John Keats, also, did not find that his first drafts always went to plan…

You say you love; but with a voice
You say you love; but with a voice
Chaster than a nun in wimple
To God she promises herself
And not some oik with pimples –
Oh love me Julie!

You say you love; but with a sneer
That positively smoulders,
With nought but pure indifference,
For you have two cold shoulders –
Oh love me Julie!

You say you love; but then your lips
Are pursed, clenched tight like mother.
More than ever kissing mine,
You’d sooner kiss my brother –
Oh love me Julie!

You say you love; but then your hand
No pleading cheek doth grazeth
And, in the stead of soft embrace,
Two fingers it doth raiseth –
Oh love me Julie!

Oh sweet insanity of love,
Although your words can injure,
The pain they cause cannot compare –
Your punch is like a Ninja.
Oh, love me Julie!

Even Shakespeare didn’t always get it right first time…

Sonnet 18: Shall I Compare Thee to a Summer’s Day?
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And rattle the hinges of the gate.
Sometimes the clouds of steely grey
Are blown across the skies of blue
And it pisses down the length of day
And that’s when I most think of you.
You are, by nature, full of gloom,
That even sunshine cannot lift:
You fill me with a sense of doom
That even Dairy Milk can’t shift.
Dejected I know I shall be
As long as you are here with me.

But they all persevered and, of course, got it right eventually. I fear I may not do the same…

Roses are red
And delicately scented
I don’t know what I saw in you
Quite frankly, you’re demented.

One thing I learned during the course of writing this piece was that there are some poems you just cannot mess about with. I realised that ‘That I Did Always Love’ (Dickinson); ‘A Subaltern’s Love Song’ (Betjeman) and ‘Love’s Philosophy’ (Percy Bysshe Shelley) are all untouchable. That I did not even discover the latter poem until I was researching for this piece, probably tells you all you need to know about me…

With abject apologies to Robert Burns, Elizabeth Barrett Browning, John Keats and William Shakespeare

Oh, life is a glorious cycle of song,
A medley of extemporanea;
And love is a thing that can never go wrong;
And I am Marie of Roumania
Dorothy Parker